{"id":1027,"date":"2021-04-10T13:05:17","date_gmt":"2021-04-10T11:05:17","guid":{"rendered":"http:\/\/galeriemauritsvandelaar.nl\/artist\/stan-klamer-2\/"},"modified":"2024-05-02T09:43:27","modified_gmt":"2024-05-02T07:43:27","slug":"stan-klamer","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/stan-klamer\/","title":{"rendered":"Stan Klamer"},"content":{"rendered":"

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Stan Klamer<\/h1>\n

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\n\t\"Stan<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row margin_top=”32″ animation=”fadeInUp” type=”5″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dcd398-7a50″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Stan Klamer<\/strong> (1951) <\/b>conceives drawing and painting as a form of cartography. By abstracting reality into a map, space is created for reflecting ideas and thoughts. Often Stan Klamer represents islands. The island forms a closed world, offering space for experiments and for the development of ideas because of its isolated position. In other drawings you see line systems reminiscent of the floor plan of an underground railway. In this way you are led from one point to the other along ever changing places and landscapes. Sometimes the journey is explicit and references are made to existing towns or historical and mythical persons as Ulyssses traveller of the ancient world.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]The topographic map thus becomes a metaphor for reality in which the artist records and documents his own world. Over the past few years, water and ships have played an increasingly important role in his work. Last year, Stan Klamer extensively photographed the harbor and ships of Hong Kong with his smart phone. In the works resulting from this ships are floating in an ocean with blue, red and yellow blocks of color, each of them portrayed in the rectangular frame coming from the phone’s screen. Other drawings show a stream of minutely detailed objects that steadily pass before our eyes.<\/p>\n

www.stanklamer.nl<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Biography” tab_id=”1440507584491-628a5fac-75f2d398-7a50″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1951<\/td>\nBorn in Valkenswaard, The Netherlands<\/td>\n<\/tr>\n
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education<\/h3>\n<\/td>\n<\/tr>\n

1977-1982<\/td>\nAcademy for Industrial Design: free visual design, Eindhoven, The Netherlands<\/td>\n<\/tr>\n
1982-1984<\/td>\nJan van Eyck Academy, Maastricht, The Netherlands<\/td>\n<\/tr>\n
<\/td>\nlives and works in Amsterdam, The Netherlands (NL)<\/td>\n<\/tr>\n
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solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2016<\/td>\nErasmus University Rotterdam, NL<\/td>\n<\/tr>\n
2015<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2004<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
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group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2022<\/td>\nDrawing Now Paris, <\/em>Galerie Maurits van de Laar, Paris, France
\nD\u00e9part, 30 year anniversary Galerie Maurits van de Laar,<\/em>\u00a0The Hague, NL<\/td>\n<\/tr>\n
2021<\/td>\nEquipe II, 30 year anniversary Galerie Maurits van de Laar, <\/em>The Hague, NL
\nLaureates Jeane Oosting Award<\/em>,\u00a0Kunstrai Amsterdam, NL<\/td>\n<\/tr>\n
2019<\/td>\nWho knows where the white went, <\/em>Arti et Amicitea, Amsterdam, NL<\/td>\n<\/tr>\n
2018<\/td>\nRistretto<\/em>, Galerie Maurits van de Laar, The Hague, NL
\nDrawing Now<\/em>, Galerie Maurits van de Laar, Paris, France
\nCrossing Colors,<\/em> Kunsthal 45, Den Helder<\/b>, NL<\/td>\n<\/tr>\n
2017<\/td>\nLandscaping \u2013 true places never are, <\/em>with Hans Lemmen, Museums- und Kunstverein Osnabr\u00fcck, Germany
\n6 for 6<\/em>, Loods 6, Amsterdam, NL<\/td>\n<\/tr>\n
2016<\/td>\nHuis de Pinto Amsterdam, NL
\nTraumraum, <\/em>Drawing Centre Diepenheim, NL
\nTrack & Trace I & II,<\/em> 25 Years Galerie Maurits vd Laar, The Hague, NL
\nAmsterdam Drawing, <\/em>Galerie Maurits van de Laar, Amsterdam, NL<\/td>\n<\/tr>\n
2015<\/td>\nDrawing Cabinet, <\/em>Museum Waterland Purmerend, Nieuw Dakota Amsterdam, Kunstenhuis Amsterdam, NL
\nAmsterdam Drawing, <\/em>Galerie Maurits van de Laar, Amsterdam, NL
\nC Labwest, <\/em>Amsterdam, NL<\/td>\n<\/tr>\n
2014<\/td>\nSea<\/em>, with Astrid Nobel, Rens Krikhaar, Zeger Reyers, Dirk Zoete,
\nGalerie Maurits van de Laar, The Hague, NL
\nGalerie De Meerse Hoofddorp, NL
\nUniversity College Amsterdam, NL
\nObject Rotterdam, NL<\/td>\n<\/tr>\n
2013<\/td>\nVoyage<\/em>, Galerie Maurits van de Laar, The Hague, NL
\nMK24 Amsterdam, NL<\/td>\n<\/tr>\n
2011<\/td>\nTwenty<\/em> 15 years Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2010<\/td>\nLighten up 2<\/em> Bagagehal Loods 6, Amsterdam, NL
\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2008<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2007<\/td>\nLighten up<\/em> Loods 6, Amsterdam, NL
\nStichting Zetel<\/em>, Van Abbemuseum, Eindhoven, NL<\/td>\n<\/tr>\n
2006<\/td>\nZetel in de Zonnehof<\/em>, Rietveldpavillion De Zonnehof, Amersfoort, NL
\nDesign ist der Botschaft<\/em>, Berlin, Germany<\/td>\n<\/tr>\n
2005<\/td>\nDat zit zo<\/em>, stichting Zetel, De Witte Dame, Eindhoven, NL
\nDordrechts Museum (cat), NL
\nGalerie Maurits van de Laar The Hague, NL<\/td>\n<\/tr>\n
2004<\/td>\nKunstencentrum Signe Heerlen, NL
\nSVB, Amstelveen, NL<\/td>\n<\/tr>\n
2003<\/td>\nOratio Pro Domo 2,<\/em> loods 6, Amsterdam, NL<\/td>\n<\/tr>\n
2001<\/td>\nWinner Jeanne Oosting Award, Museum for Modern Art Arnhem, NL<\/td>\n<\/tr>\n
2000<\/td>\nStadtmuseum Gohre Jena, (cat), Germany
\nSamenscholing<\/em>, Bonnefantenmuseum, Maastricht, NL<\/td>\n<\/tr>\n
1999<\/td>\nOratio Pro Domo, <\/em>loods 6, Amsterdam, NL
\nGalerie Edition Lutz Fiebig Berlin, Germany<\/td>\n<\/tr>\n
1998<\/td>\nDie Holl\u00e4ndische Welle<\/em>, Art Multiple D\u00fcsseldorf, Germany
\nSteiger 8 Multiples Kunst RAI, Amsterdam, NL<\/td>\n<\/tr>\n
1997<\/td>\nGalerie Maurits van de Laar The Hague, NL<\/td>\n<\/tr>\n
1996<\/td>\nGalerie Asselijn, Amsterdam, NL<\/td>\n<\/tr>\n
1995<\/td>\nWim Izaks Stipendium, Kunstvereniging Diepenheim (cat), NL<\/td>\n<\/tr>\n
<\/td>\n\n

awards, grants<\/h3>\n<\/td>\n<\/tr>\n

2001<\/td>\nJeanne Oosting Award for watercolours<\/td>\n<\/tr>\n
1995<\/td>\nWim Izaks Stipendium<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] Stan Klamer [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row margin_top=”32″ animation=”fadeInUp” type=”5″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dcd398-7a50″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Stan Klamer (1951) conceives drawing and painting as a form of cartography. By abstracting reality into a map, space is created for reflecting ideas and thoughts. Often Stan Klamer represents islands. The island forms a closed world, offering space for experiments and…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[],"class_list":["post-1027","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-artist-en","dt_portfolio_category-174","description-off"],"yoast_head":"\nStan Klamer - mauritsvandelaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/artist\/stan-klamer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Stan Klamer - mauritsvandelaar\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] Stan Klamer [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row margin_top=”32″ animation=”fadeInUp” type=”5″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dcd398-7a50″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Stan Klamer (1951) conceives drawing and painting as a form of cartography. 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