{"id":2152,"date":"2021-11-01T12:21:53","date_gmt":"2021-11-01T11:21:53","guid":{"rendered":"http:\/\/galeriemauritsvandelaar.nl\/artist\/ronald-versloot-2\/"},"modified":"2024-12-05T15:34:07","modified_gmt":"2024-12-05T14:34:07","slug":"ronald-versloot","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/ronald-versloot\/","title":{"rendered":"Ronald Versloot"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Ronald Versloot<\/h1>\n

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\n\n\t
\n\t\"Roland<\/a>\t<\/figure>\n<\/article>\n\n\n
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\n\t\"Ronald<\/a>\t<\/figure>\n<\/article>\n\n\n
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\n\t\"Roland<\/a>\t<\/figure>\n<\/article>\n\n\n
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\n\t\"Ronald<\/a>\t<\/figure>\n<\/article>\n\n\n
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\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc19cc-66d2″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Ronald Versloot<\/strong>‘s (1964) hallmark is the use of linoprint in paintings. In just a few apt strokes he delineates a landscape or an interior, in which he prints human figures by means of a linocut. With this he investigates the age old problem problem in painting,\u00a0 how to integrate the human figure with the environment and background of the image. The lino figures are actors, as it were, who are performing in the painted setting. The question whether the painted images are real or rather the printed ones is intensified by the frequently mysterious representations. Each time it is as if you see the moment just before or after a dramatic event.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=””]In his latest paintings and pastel drawings Roland Versloot likes to play with the conventions of representation and the conditioning of our perception. Often he adds a certain degree of suspense to the image. In Scene (2024), for example, he places a hat on a rock, making you wonder whether the owner has gone away for a while, gone swimming in the river or even drowned. In other drawings a tree contains a silhouette, a woman’s dress turns into a pile of rocks.<\/p>\n

Versloot calls his wire figures floating drawings. A tree trunk topped with a hat, a woman’s face in a mirror or a couple making love are rendered in outline and placed freely in space or slightly in detached from the wall so they cast a subtle shadow. The wire figures are akin to the lino figures Versloot used earlier in his paintings. These too were present as contours, like actors on a painted stage. He thus thematised the age-old Figure – Ground problem in painting: how to connect the human figure with the background. With the floating drawings, he goes a step further by placing them freely in space as independent figures[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Biography” tab_id=”1440507584491-628a5fac-75f219cc-66d2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/tr>\n
1964<\/td>\nborn in Apeldoorn, The Netherlands<\/td>\n<\/tr>\n
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education<\/h3>\n<\/td>\n<\/tr>\n

1987 – 1990<\/td>\nRijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1982 – 1987<\/td>\nKoninklijke Academie voor Kunst en Vormgeving, Den Bosch, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nlives and works in Amsterdam and Berlin<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2022<\/td>\nLooking Through<\/em>, galerie Jan van Hoof, Den Bosch, NL<\/td>\n<\/tr>\n
2020<\/td>\nNOT CANCELLED NL, <\/em>virtual art fair, Galerie Maurits van de Laar
\n<\/em>Outside Reality, <\/em>Galerie Jan van Hoof, Den Bosch, The Netherlands<\/td>\n<\/tr>\n
2018<\/td>\nRiding Backwards<\/em>, Galerie Jan van Hoof, Den Bosch, The Netherlands
\nThe Future is Coming and Going,<\/em> Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2017<\/td>\nGalerie Maurits van de Laar (with Erik Pape), The Hague, The Netherlands
\nCAM Galeri, Istanbul, Turkey<\/td>\n<\/tr>\n
2015<\/td>\nCAM Galeri, Istanbul, Turke<\/td>\n<\/tr>\n
2014<\/td>\nLisa Norris Gallery, London, UK<\/td>\n<\/tr>\n
2013<\/td>\nGalerie Maurits van de Laar, The Hague, The Netherlands
\nGalleri SE, Bergen, Norway<\/td>\n<\/tr>\n
2012<\/td>\nFloat, <\/em>Galerie Akinci, Amsterdam, The Netherlands
\nThe Lovers<\/em>, Galleri S.E., Bergen, Norway<\/td>\n<\/tr>\n
2010<\/td>\nGalerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2009<\/td>\nGalleri S.E., Bergen, Norway<\/td>\n<\/tr>\n
2008<\/td>\nGalerie Akinci, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2007<\/td>\nGalerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2006<\/td>\nGalerie Andreas Br\u00fcning, D\u00fcsseldorf, Germany
\nArt Chicago, Galerie Andreas Br\u00fcning, Chicago, VS
\nGalleri S.E., Bergen, Norway
\nGAD, Oslo, Norway<\/td>\n<\/tr>\n
2005<\/td>\nGalerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2004<\/td>\nGalerie Akinci, Amsterdam, The Netherlands
\nKunstRAI<\/em>, Galerie Maurits van de Laar, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2003<\/td>\nGalerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2002<\/td>\nGalerie Akinci, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2001<\/td>\nGalerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2000<\/td>\nGalerie Akinci, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1998<\/td>\nGastexpositie Galerie Reuten, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1997<\/td>\nGalerie Akinci, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1995<\/td>\nGalerie Akinci, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1994<\/td>\nDe Nederlandsche Bank, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1992<\/td>\nGalerie van Krimpen, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1991<\/td>\nKunstRAI<\/em>, Galerie van Krimpen, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1990<\/td>\nGalerie van Krimpen, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
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groupexhibitions<\/h3>\n<\/td>\n<\/tr>\n

2023<\/td>\nPeinture Fra\u00eeche, <\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2022<\/td>\nSummershow, <\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2021<\/td>\nArt The Hague<\/em>, Galerie Maurits van de Laar, The Hague, NL
\nDrawing Now Alternative<\/em>, Galerie Maurits van de Laar, Paris, France
\nKunstRAI, Galerie Jan van Hoof, Amsterdam, NL<\/td>\n<\/tr>\n
2020<\/td>\nDrawing Now<\/em>, Martin Assig, Tobias Gerber, Ronald Versloot, Dan Zhu, Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2019<\/td>\nVitamin, <\/em>Anna Klinkhammer Galerie, Du\u0308sseldorf , Germany
\nPAN Amsterdam, galerie Jan van Hoof, Amsterdam, The Netherlands
\nDomino #2<\/em>, Salve Berlin, Germany<\/td>\n<\/tr>\n
2018<\/td>\nRistretto<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands
\nCodex, Berlin, Germany
\nPAN Amsterdam, Jan van Hoof Galerie, Amsterdam, The Netherlands
\nArt Rotterdam<\/em>, Galerie Maurits van de Laar, The Netherlands<\/td>\n<\/tr>\n
2017<\/td>\nPerpetuum III, <\/em>Galerie Reuten Amsterdam, The Netherlands
\n6 for 6, collective art fair,<\/em> Loods 6 Amsterdam, The Netherlands
\nBlind Date, <\/em>with Cem Turgay, CAM Galeri, Istanbul, Turkey<\/td>\n<\/tr>\n
2016<\/td>\nLust for Painting, <\/em>We Like Art, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2015<\/td>\nArt Amsterdam, <\/em>Galerie Maurits van de Laar, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2016<\/td>\nTrack and Trace I & II, 25 years Galerie Maurits van de Laar, <\/em>The Hague, The Netherlands
\nAndrea Freckmann, Tobias Lengkeek, Ronald Versloot<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands
\nAmsterdam Art Fair,<\/em> Galerie Maurits van de Laar, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2015<\/td>\nRonald Versloot, Marjolijn van der Meij,<\/em> Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2013<\/td>\nDrawing Cabinet<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands
\nLisa Norris Gallery, London, UK<\/td>\n<\/tr>\n
2012<\/td>\nContemporary Istanbul<\/em>, Galerie Maurits van de Laar, Istanbul, Turkey<\/td>\n<\/tr>\n
2011<\/td>\nTWENTY<\/em>, 20 years Galerie Maurits van de Laar, The Hague, The Netherlands
\nTime is Young, <\/em>Galerie Maurits van de Laar, The Hague, The Netherlands
\nCollection Imaginaire, by Katja Vercauteren, <\/em>Arti, Amsterdam, The Netherlands
\nArt Rotterdam<\/em>, Galerie Maurits van de Laar, Rotterdam, The Netherlands
\nDer letzte mach das Licht aus<\/em>, Freies Museum, Berlin, Germany
\nDreizehn<\/em>, Galerie Filser & Gra\u0308f, Mu\u0308nchen, Germany<\/td>\n<\/tr>\n
2010<\/td>\n50 ways to keep your lover<\/em>. Galleri S.E., Bergen, Norway
\nFace to Face. <\/em>Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2009<\/td>\nGalerie Maurits van de Laar, The Hague, The Netherlands
\nDessins d’aujourd’hui, homme-terre-ciel<\/em>, Mus\u00e9e Rignault, St. Cirq Lapopie, France
\nIntern & Extern<\/em>, Kunsthal 52, Den Helder, The Netherlands<\/td>\n<\/tr>\n
2007<\/td>\nArt Amsterdam<\/em>, Galerie Maurits van de Laar, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2006<\/td>\nArt Rotterdam<\/em>, Galerie Maurits van de Laar, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
2005<\/td>\nNomination European Sovereign Art Prize<\/em>, London, UK<\/td>\n<\/tr>\n
2004<\/td>\nMy Father\u2019s Eyes,<\/em> Galerie Andreas Br\u00fcning, D\u00fcsseldorf, Germany
\nChicago Art Fair<\/em>, Galerie Andreas Br\u00fcning, Chicago, USA<\/td>\n<\/tr>\n
2003<\/td>\nSign of the Times<\/em>, Stichting KW14, Den Bosch, The Netherlands<\/td>\n<\/tr>\n
2002<\/td>\nExpositie Hofvijver<\/em>, The Hague, The Netherlands<\/td>\n<\/tr>\n
2000<\/td>\nKunstRAI<\/em>, galerie Akinci, Amsterdam, The Netherlands
\nEen ceder in mijn tuin<\/em>, Stichting KW14, Den Bosch, The Netherlands
\n3 Tekenaars<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
1999<\/td>\nDrawings<\/em>, Galerie Akinci, Amsterdam , The Netherlands<\/td>\n<\/tr>\n
1998<\/td>\nDrawings<\/em> (with Philip Akkerman, Marcel van Eeden, P.J. Roggeband), Galerie Maurits van de Laar, The Hague, The Netherlands
\nGalerie Nouvelles Images, The Hague, The Netherlands<\/td>\n<\/tr>\n
1997<\/td>\nArt Forum Berlin<\/em>, Galerie Akinci, Germany
\nArt Cologne<\/em>, Galerie Akinci,, Cologne, Germany
\nAkademisch Ziekenhuis Leiden, The Netherlands
\npasword worden, W139, Amsterdam, The Netherlands
\n100 young painters at Ameland, Ameland, The Netherlands<\/td>\n<\/tr>\n
1996<\/td>\nDe Muze als Motor II<\/em>, Van Abbemuseum, Eindhoven, The Netherlands
\nCollectie ABN-AMRO<\/em>, Stedelijk Museum, Amsterdam, The Netherlands
\nCollectie Bouwfonds<\/em>, Museum Boymans van Beuningen, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
1995<\/td>\nThe Meaning of Drawing<\/em>, Rijksacademie, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1993<\/td>\nDraadtekeningen,<\/em> Galerie van Krimpen, Rotterdam, The Netherlands
\nKunstRAI, Galerie van Krimpen, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1992<\/td>\n13 drawings,<\/em> Galerie van Krimpen, Rotterdam, The Netherlands
\nForegrounds and Distances<\/em>, Galleria d\u2019Serpenti, Rome, Italy<\/td>\n<\/tr>\n
1990<\/td>\nwork on paper<\/em>, Galerie van Krimpen, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1989<\/td>\nAmsterdam\/Berlin (DDR)\/Madrid\/Berlin (West) reizende tentoonstelling van de Karl Hofer Gesellschaft i.s.m. Hochschule der K\u00fcnste Berlin, NL\/Germany<\/td>\n<\/tr>\n
1988<\/td>\n22 young artists<\/em>, Galerie Nouvelles Images, The Hague, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

awards<\/h3>\n<\/td>\n<\/tr>\n

1993<\/td>\nJeanne Oosting Prijs<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

works in collections<\/h3>\n<\/td>\n<\/tr>\n

<\/td>\nKLM, PTT, Stedelijk Museum Schiedam, De Zonnehof, Bouwfonds, De Nederlandsche Bank, ABN\/AMRO Bank, Rabobank Nederland, Ministry of Foreign Affairs of The Netherlands, Akzo Nobel Art Foundation, DELA, EKARD Collection, UMC Utrecht<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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[vc_row][vc_column][vc_column_text] Ronald Versloot [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc19cc-66d2″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Ronald Versloot‘s (1964) hallmark is the use of linoprint in paintings. In just a few apt strokes he delineates a landscape or an interior, in which he prints human figures by means of a linocut. With this he investigates the age old…<\/p>\n","protected":false},"author":2,"featured_media":22406,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[],"class_list":["post-2152","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-artist-en","dt_portfolio_category-174","description-off"],"yoast_head":"\nRonald Versloot - mauritsvandelaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/artist\/ronald-versloot\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ronald Versloot - mauritsvandelaar\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] Ronald Versloot [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc19cc-66d2″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Ronald Versloot‘s (1964) hallmark is the use of linoprint in paintings. In just a few apt strokes he delineates a landscape or an interior, in which he prints human figures by means of a linocut. With this he investigates the age old…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mauritsvandelaar.nl\/en\/artist\/ronald-versloot\/\" \/>\n<meta property=\"og:site_name\" content=\"mauritsvandelaar\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/galerie.mauritsvandelaar\/\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-05T14:34:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Ronald-Versloot-Statue-2022-acrylic-vinylpaint-on-linen-90x75cm.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1330\" \/>\n\t<meta property=\"og:image:height\" content=\"1600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@mauritsvdlaar\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/\",\"url\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/\",\"name\":\"Ronald Versloot - mauritsvandelaar\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/wp-content\\\/uploads\\\/Ronald-Versloot-Statue-2022-acrylic-vinylpaint-on-linen-90x75cm.jpg\",\"datePublished\":\"2021-11-01T11:21:53+00:00\",\"dateModified\":\"2024-12-05T14:34:07+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/#primaryimage\",\"url\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/wp-content\\\/uploads\\\/Ronald-Versloot-Statue-2022-acrylic-vinylpaint-on-linen-90x75cm.jpg\",\"contentUrl\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/wp-content\\\/uploads\\\/Ronald-Versloot-Statue-2022-acrylic-vinylpaint-on-linen-90x75cm.jpg\",\"width\":1330,\"height\":1600},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/ronald-versloot\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Portfolio\",\"item\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Ronald Versloot\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/#website\",\"url\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/\",\"name\":\"mauritsvandelaar\",\"description\":\"Galerie Maurits van de Laar\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ronald Versloot - mauritsvandelaar","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mauritsvandelaar.nl\/en\/artist\/ronald-versloot\/","og_locale":"en_US","og_type":"article","og_title":"Ronald Versloot - mauritsvandelaar","og_description":"[vc_row][vc_column][vc_column_text] Ronald Versloot [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc19cc-66d2″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Ronald Versloot‘s (1964) hallmark is the use of linoprint in paintings. 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