{"id":2235,"date":"2021-09-01T15:27:52","date_gmt":"2021-09-01T13:27:52","guid":{"rendered":"http:\/\/galeriemauritsvandelaar.nl\/artist\/sebastiaan-schlicher-2\/"},"modified":"2026-05-08T16:34:43","modified_gmt":"2026-05-08T14:34:43","slug":"sebastiaan-schlicher","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/","title":{"rendered":"Sebastiaan Schlicher"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Sebastiaan Schlicher<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]

\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc1882-6a43″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

In Sebastian Schlicher<\/strong>\u2019s (1975) drawings ecstatic stage performers, cult members, religious types, occultists, survivalists or politicians appear who are in a state of melancholia, rage or fear.<\/p>\n

They have put themselves into a pathetic battle mode, struggling to get through life, trying to find heroic, symbolic ways to overcome their own mortality and insignificance. According to Sebastian Schlicher everyone is working on their own heroic project, the larger-than-life personality is a favourite metaphor in his work. Besides making drawings Schlicher also initiates projects to which he invites musicians and friends to contribute. The result is always attributed to the fictional group, Amerikan Teenager. The projects consist of making making cooperative wallpaintings, videos, stage performances and gigs.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]For some time Schlicher has focused on the Homestead Principle<\/em>: the appropriation of resources that have not yet been claimed, usually implying a plot of land. This mechanism matches the theme of the ‘lone wolf\u2019, an individual who wants to live his life in a heroic and authentic way and longs to turn his back on society. As Patti Smith so aptly put it: ‘Outside of society they are waiting for me, outside of society is where I want to be.’ Sebastiaan Schlicher applies the Homestead principle by building a hut in an exhibition space, thus claiming it. Inside the walls of the hut are covered with wall paintings of woods and primitive survival settlements, along with the video Disappear.<\/em> The video shows a compilation of forest fires seemingly filmed by the arsonist who has unleashed this apocalypse.<\/p>\n

 <\/p>\n

sebastiaanschlicher.nl<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Biography” tab_id=”1440507584491-628a5fac-75f21882-6a43″][vc_column_text css=””]<\/p>\n\n\n\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1975<\/td>\nBorn in Roermond, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n\n

education<\/h3>\n<\/td>\n<\/tr>\n

1994 – 1999<\/td>\nAKI, Academy for Visual Arts, Enschede, NL<\/td>\n<\/tr>\n
1999 – 2000<\/td>\nWimbledon School of Art, (MA) London, UK<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nlives and works in Amsterdam, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2025<\/td>\nKornfeld Galerie, <\/em>Berlin, Germany<\/td>\n<\/tr>\n
2023<\/td>\nLunar Caustic, <\/em>SMAC, Berlin, Germany<\/td>\n<\/tr>\n
2015<\/td>\nThe Homestead Principle #7<\/em>: A beautiful Corpse in an exquisite Morgue, PuntWG, Amsterdam, NL<\/td>\n<\/tr>\n
2014<\/td>\nThe Homestead Principle #5<\/em>: Amerikan Teenager Band Camp, Het Glaspaviljoen, Eindhoven, NL
\nAntistar #4<\/em>: The Feral Child, Extrapool, Nijmegen, NL
\nWeiner Wall Project<\/em>, M4 Gastatelier, Tetterode, Amsterdam, NL
\nThe Homestead Principle #4<\/em>, Galerie Maurits van de Laar, The Hague, NL
\nThe Homestead Principle #3:<\/em> Anti-fascists asleep at their desks, LE SUD, Rotterdam, NL<\/td>\n<\/tr>\n
2013<\/td>\nRolling down the stairs<\/em>, SMAC Berlin, Germany
\nDisappearer<\/em>, Galerie Jaap Sleper, Utrecht, NL<\/td>\n<\/tr>\n
2011<\/td>\nKid’s Alright<\/em>, Galerie Barbara Seiler Galerie, Z\u00fcrich, CH<\/td>\n<\/tr>\n
2010<\/td>\nArt Bridge: New York – Berlin<\/em>, Cookies, Berlin, Germany<\/td>\n<\/tr>\n
2009<\/td>\nDie Information, die da drinnen steckt, ist grossartig<\/em>, (with Philip Groezinger), Mikael Andersen Galerie, Copenhagen, DenmarkBCBG<\/em>, Klara Wallner Galerie, Berlin, Germany<\/td>\n<\/tr>\n
2008<\/td>\nTo remember is bliss<\/em>, Forgotten Bar Project, Galerie im Regierungsviertel, Berlin, Germany<\/td>\n<\/tr>\n
2007<\/td>\nEksorsizm Eksersize<\/em>, Klara Wallner Galerie, Berlin, Germany<\/td>\n<\/tr>\n
2006<\/td>\nArt Forum<\/em>, Klara Wallner Galerie, Berlin, Germany
\nZeichnungen\/ Drawings<\/em>, BASISRAUM piper, Berlin, Germany<\/td>\n<\/tr>\n
2005<\/td>\nThe End Is Far<\/em>, Museum MAN, Liverpool, UK<\/td>\n<\/tr>\n
2001<\/td>\nReturn of the Dead Dogs<\/em>, Stichting Outline, Amsterdam, NL<\/td>\n<\/tr>\n
2000<\/td>\nG-Theorem 31\/KC-Serum 94<\/em>, Cult. Centrum De Azijnfabriek, Roermond, NL<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2025<\/td>\nPaper Positions Berlin, <\/em>Galerie Maurits van de Laar, Berlin, Germany<\/td>\n<\/tr>\n
2024<\/td>\nDavid Bade, Nathan Henderson, Sebastiaan Schlicher, Galerie Maurits van de Laar, \u00a0 The Hague, NL<\/td>\n<\/tr>\n
2023<\/td>\nI still care,<\/em> (with a.o. Ronald Ophuis, Kexin Hao, Joseph
\nPalframan, Arthur Cordier, Haevan Lee, Jo Baer, Ma Xiao Yao, Jerrold Saija, Philipp
\nGroubnov, Rosa Zangenberg), Eurocenter, Amsterdam, NL<\/td>\n<\/tr>\n
2022<\/td>\nMoving Up, <\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2021<\/td>\nEquipe 1, <\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2020<\/td>\nThe Books Happen II, <\/em>Kunstverein projektraum Bahnhof-25. Kleve, Germany<\/td>\n<\/tr>\n
2019<\/td>\nTHEY <\/em>(performance), European Media Art Festival (EMAF), Osnabru\u0308ck, Germany
\nDie Scho\u0308nheit kann ebenso gut aus der Ho\u0308lle stammen wie aus den Himmel
\n<\/em>(with a.o. Jonathan Meese, Matthias Weisscher, Maria Ondrej) Sta\u0308dtische Galerie im alten Feuerhaus, Bad Reichenhall, Germany
\nPaper works <\/em>(a.o. with Rezi van Lankveld, Sarah Verbeek, Arjan van Helmond,
\nAlexandra Leykauf, Marjolein Rothman), Galerie Albada Jelgersma, Amsterdam NL<\/td>\n<\/tr>\n
2018<\/td>\n6 voor 6, <\/em>collective exhibition at Loods 6, KNSM Island, Amsterdam, NL
\nThe Wild<\/em>,\u00a0Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2017<\/td>\nART Rotterdam 2017<\/em>, Galerie Maurits van de Laar, Van Nellefabriek, Rotterdam, NL
\nJetzt Druck Machen<\/em> – Aus dem Atelier f\u00fcr Radierung Leipzig 09-17<\/em>, Museum Angerlehner, Talhelm\/Wels, Austria
\n<\/span>De FamiliekamerKunstprijs<\/em> 2017, De Familiekamer, Leiden, NL
\nGolden Ass<\/em>, Laden f\u00fcr Nichts, Leipzig, Germany
\nHow to Disappear Completely<\/em>, Garage, Rotterdam, NL
\nTransience\/Verg\u00e4nglichkeit<\/em>, Schau Fenster, Berlin, Germany
\nTransience II<\/em>, \u00c5-huset, Uppsala konstn\u00e4rsklubb, Uppsala, Sweden
\n<\/span>Observe! Observe! Observe!, Whitesuit Projections, Nijmegen, NL<\/span><\/td>\n<\/tr>\n
2016<\/td>\nTrack and Trace I & II: 25 Years<\/em> Galerie Maurits van de Laar<\/em>, The Hague, NL
\nThe Big Draw,<\/em> Amsterdam, NL
\nThe Larry Video Show<\/em>, Larry, Berlin, Germany
\nTRAUMRAUM<\/em>, Drawing Centre, Diepenheim, NL
\nScribble for Life,<\/em> Temporary Art Centre, Eindhoven, NL
\nAlptraum, RAE (HQ)<\/em>, space for contemporary art, Berlin
\nSweat Shop \/ Behind the Sweat Shop<\/em>, Schau Fenster, Berlin
\nTeach Me A New Language<\/em>, Tetem, Enschede, NL
\nDrawing Front Amsterdam<\/em>, Nieuw Dakota, Amsterdam, NL
\nPatty Morgan radio<\/em> \/ Ja Ja Ja Nee Nee Nee<\/em>, Intersections, Art Rotterdam, NL<\/td>\n<\/tr>\n
2015<\/td>\nParallel Stories<\/em>, Arti et Amicitiae, Amsterdam, NL
\nThe books happen<\/em>, Kunstruimte Kuub, Utrecht, NL
\nArte Concordia 2015<\/em>, Avenue Concordia, Rotterdam, NL
\nNo place like home<\/em>, SMAC, Berlin, Germany
\nMy first drawing<\/em>, Amsterdam Drawing, Amsterdam, NL
\nAlptraum\/Cauchemar\/Nightmare<\/em>, Visual Voice Gallery, Montreal, Canada
\nSleepover,<\/em> De Goudfazant, Amsterdam, NL
\nIAMsterdamYOUBErlin<\/em>, St. Johannes Evangelist-Church, Berlin, Germany
\nH\u00f4tel Dunkerkque<\/em>, FRAC NORD-PAS DE CALAIS, Dunkirk, France
\nTales from Darkness<\/em>, Sunaparanta Art Centre, Panjim, Goa, India
\nAlles was Ich mag<\/em>, fast, Schaufenster, Berlin, Germany<\/td>\n<\/tr>\n
2014<\/td>\nI am not doing anything until I feel the need<\/em>, De Nederlandsche Bank, Amsterdam, NL
\nMy first drawing, Galerie Maurits van de Laar, Amsterdam Drawing, Amsterdam, NL
\nSculptures & works on Paper<\/em>, Mikael Andersen Galerie, Berlin, Germany
\nAlptraum<\/em>, UGM Maribor Art Gallery, museum of modern and contemporary art, Slowenia
\nA Drawback<\/em>, Quartair, contemporary art initiative, The Hague, NL
\nGlamour und Carnevaleskes<\/em>, Vitrine-FN, Friedrichshafen, Germany
\nRecent acquisitions<\/em>; Zwaan, Schlicher, Ossip, Centraal Museum, Utrecht, NL<\/td>\n<\/tr>\n
2013<\/td>\nPop Hits & Alptraum<\/em>, Artspace Rhein-Main, Offenbach, Germany
\nThe partaker partakes of that which changes him<\/em>, TAC, Eindhoven, NL
\nAlles Wasser II<\/em>, Mikael Andersen Galerie, Copenhagen
\nIdentifying Europe<\/em>, Rijksmuseum Twenthe, Enschede, NL
\nBecause it’s written<\/em>, Wolfart projects, Rotterdam, NL
\nDrawing Cabinet, Galerie Maurits van de Laar, The Hague, NL
\nMy fear is your desire<\/em>, Schaufenster, Berlin, Germany
\nRebel House<\/em>, Bonnefantenmuseum, ECI, Roermond, NL<\/td>\n<\/tr>\n
2012<\/td>\nSecret Postcards<\/em>, Jan van Eijck Academy, Maastricht, NL
\nAlptraum<\/em>, X Projectspace, Berlin, Germany
\nSeptember Edition<\/em>: Luxus Loft #4, Atelierhof Kreuzberg, Berlin, Germany
\nAPES presents<\/em>, Galerie Volker Diehl, Berlin, Germany
\nPlease wait while we contact your bank #2<\/em>, French Riviera, London, UK
\nHuis Rotterdam<\/em>, Het Wilde Weten, Rotterdam, NL
\nAlles Wasser<\/em>, Mikael Andersen Galerie, Berlin, Germany
\nAlptraum<\/em>, Green Papaya Art Project, Metropolitan Museum of Manila, Philippines
\nLuxus Loft Anniversary show,<\/em> Forum Kreuzberg, Berlin, Germany<\/td>\n<\/tr>\n
\u00a02011<\/td>\nCatch of the year 2011<\/em>, Dienstgeb\u00e4ude, Z\u00fcrich, CH
\nLes T\u00e9l\u00e9visions<\/em>, French Riviera, London, UK
\nDie Niederl\u00e4ndische Botschaft l\u00e4dt ein @ Kosmetik Salon Babette, Berlin, Germany
\nGruppenausstellung, Galerie Patrick Ebensperger, Berlin\/Graz, Germany
\nDrawings.<\/em> Marcel van Eeden, Johan Gustavsson, Daniel Jensen, Rens Krikhaar, Sebastiaan Schlicher, Galerie Maurits van de Laar, The Hague, NL
\nBackstage Riders<\/em>, Tagesspiegelgebaude, Berlin, Germany
\nDie Linie \u00fcberschreiten<\/em>. Eine Zeichnungsaustellung, Westwendischer Kunstverein, Gartow, Germany
\nOut of Storage: Provisoire & D\u00e9finitif<\/em> (collection FRAC Nord-Pas de Calais), Marres Centre for Contemporary Culture, Maastricht, NL
\nAll about drawing. 100 Dutch artists<\/em>, Stedelijk Museum, Schiedam, NL
\nSearch & Destroy,<\/em> Galerie Mikael Andersen, Berlin, Germany<\/td>\n<\/tr>\n
2010<\/td>\nThe Up and Coming<\/em>, CAA & Deutsche Guggenheim Club, M\u00fcnzsalon, Berlin, Germany
\nNight Of The Pawn<\/em>, Baumwollspinnerei, Leipzig, Germany
\nSo Pulo: The Secret History of the Mondrian Fan Club<\/em>: part 3, Galeria Baro, S\u00e3o Paulo, Brazil
\nThe total fuckin’ darkness show<\/em>, Appartement, Berlin, Germany
\nDiving For Pearls in Your own Soup (Extension)<\/em>, St\u00e4dtische Kunsthalle M\u00fcnchen Lothringer 13, Munich, Germany
\nViehl Dolkers<\/em>, Galerie Volker Diehl, Berlin, Germany
\nMythe Berlijn.<\/em> Museum Het Domein presenteert, AINSI, Maastricht, NL
\nA Drawback<\/em>, Edinburgh Art Festival, Scotland
\nFresco Mondo,<\/em> Berlin Kreuzberg Biennale, Berlin, Germany
\nHostile Aestetik Takeover, Appartement, Berlin, Germany
\nHypernatural, Kunstcampus Heidestrasse, Berlin, Germany
\nRadical Adults, The Forgotten Bar project, Galerie im Regierungsviertel, Berlin, Germany
\nKlara Wallner Galerie @ Art Rotterdam 2010, Rotterdam, NL
\nKlara Wallner Galerie @ Art Cologne 2010, Cologne, Germany
\nRemix IV, The Forgotten Bar project, Galerie im Regierungsviertel, Berlin, Germany
\nCabin Fever, Co-Prosperity Sphere, Chicago, USA<\/td>\n<\/tr>\n
2009<\/td>\nCabin Fever<\/em>, Co-Prosperity Sphere, Chicago, USAYou can tell a cowboy by the horse he rides<\/em>, Barbara Seiler Galerie, Zurich, CH
\nZeigen<\/em>. Eine Audiotour durch Berlin von Karin Sander, Tempor\u00e4re Kunsthalle, Berlin, Germany
\nNotes on Narratives<\/em>, , NEST Ruimte, The Hague, NL
\nZwei Dumme Ein Gedanke<\/em>, Laden f\u00fcr Nichts, Leipzig, Germany
\nEdinburgh House, Sierra Metro, Edinburgh, Scotland
\nReliquaries of Empires dust<\/em> , Museum MAN @ Bereznitsky Gallery, Berlin, Germany
\nBackstage<\/em>, Galerie Mikael Andersen, Berlin, Germany
\nDas Unheimliche<\/em>, Modulorhaus, Berlin, Germany
\nKunstmanufaktur (nr.1)<\/em>, , Georges & I, Berlin, Germany
\nTrendbeheer presents, <\/em>ART Rotterdam, De Hofbogen, Rotterdam, NL<\/td>\n<\/tr>\n
2008<\/td>\nAccrochage!!<\/em>, Klara Wallner Galerie, Berlin, Germany
\nIndifference (is bliss)<\/em>, Zentrum Kreuzberg, Berlin, Germany
\nArmut Macht Geil<\/em>, TAC, Eindhoven, NL
\nAccrochage!<\/em>, Klara Wallner Galerie, Berlin, Germany
\nGeorge & I presents<\/em>: La Fin Du Monde, BAIZ, Berlin, Germany<\/td>\n<\/tr>\n
2006<\/td>\nToday even the drawers are winners<\/em>, Klara Wallner Galerie, Berlin, Germany
\nPanic Our Older Brother<\/em>, ALM, Munich, Germany
\nMuseum MAN @ Independents, Biennial Liverpool 2006, Liverpool, UK
\nDraw Drawn<\/em>, The Foundry, London, UK<\/td>\n<\/tr>\n
2005<\/td>\nMusic For The Artists<\/em>, Veemvloer, Amsterdam, NL
\nUntitled Drawing Show<\/em>, Big Love Gallery, G\u00f6teborg, Sweden
\nBiennale Festival of Contemporary Art in San Francisco and Oakland, USA
\nArt Concept<\/em>, Alpha-Beta, St Petersburg, Russia
\nHappy Garden<\/em>, Hang Gallery, Amsterdam, NL
\nObsession<\/em>, film & video festival, Galeri X, Istanbul, Turkey
\nAt the Rio<\/em>, The Centre of Attention, London, UK
\nNight Flight<\/em>, Museum MAN, Liverpool, UK
\nArt 05 X-change<\/em>, The Arena, Coach Shed, Liverpool, UK
\nSztuka Fabryka, St. Niklaas, Belgium<\/td>\n<\/tr>\n
2004<\/td>\nMuseum MAN @ Liverpool Biennale, Liverpool, UKPrecipitations 2<\/em>, Al Kufa Gallery, London, UK
\nDraw_Drawn<\/em>, Gallery 32, London, UK
\ngeTEKENd Katendrecht<\/em>, Handelsveem, Rotterdam, NL
\nPrecipitations<\/em>, The Lab Gallery, Manhattan, USA
\nWelcome Back<\/em>, ZET foundation, Kunstvlaai 5, Amsterdam, NL
\nDouble Scotch & Double Dutch, Amstelkerk, Amsterdam, NL<\/td>\n<\/tr>\n
2003<\/td>\nBig night Out<\/em>, S\u00f6ders Internationella Konst Bienal (r), Stockholm, Sweden<\/td>\n<\/tr>\n
2002<\/td>\nSea View Hotel 2002 pt.2<\/em>, Gardens of Joy and Multiple Pleasures, Camberwell, London, UK<\/td>\n<\/tr>\n
2000<\/td>\nPosters and Flyers<\/em>, RMIT, Melbourne, AustraliaOff a Wall<\/em>, River Level Gallery, Milwaukee Institute of Art, Milwaukee, USA
\nRosa Rot Bar<\/em>, Millennium Masters, Wimbledon School of Art, London, UK
\nLes Mots Implosifs<\/em>, Lombard Estate Studios, London, UK<\/td>\n<\/tr>\n
1999<\/td>\nLucid Dreams,<\/em> Wimbledon Library Gallery, London, UK
\nFrom Here to The Overlook and Back<\/em>, Lombard Estate Studios, London, UK
\nFound Pictures Of Events That May Have Never Taken Place, <\/em>Foyer Gallery, Wimbledon School of Art, London, UK<\/td>\n<\/tr>\n
<\/td>\n\u00a0<\/em><\/td>\n<\/tr>\n
<\/td>\n\n

Awards, Grants, Residencies<\/em><\/h3>\n<\/td>\n<\/tr>\n

2018<\/td>\nResidency at Luceberthuis, Bergen, NL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][vc_empty_space]

<\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\n\n\n\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1975<\/td>\nBorn in Roermond, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n\n

education<\/h3>\n<\/td>\n<\/tr>\n

1994 – 1999<\/td>\nAKI, Academy for Visual Arts, Enschede, NL<\/td>\n<\/tr>\n
1999 – 2000<\/td>\nWimbledon School of Art, (MA) London, UK<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nlives and works in Amsterdam, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2025<\/td>\nKornfeld Galerie, <\/em>Berlin, Germany<\/td>\n<\/tr>\n
2023<\/td>\nLunar Caustic, <\/em>SMAC, Berlin, Germany<\/td>\n<\/tr>\n
2015<\/td>\nThe Homestead Principle #7<\/em>: A beautiful Corpse in an exquisite Morgue, PuntWG, Amsterdam, NL<\/td>\n<\/tr>\n
2014<\/td>\nThe Homestead Principle #5<\/em>: Amerikan Teenager Band Camp, Het Glaspaviljoen, Eindhoven, NL
\nAntistar #4<\/em>: The Feral Child, Extrapool, Nijmegen, NL
\nWeiner Wall Project<\/em>, M4 Gastatelier, Tetterode, Amsterdam, NL
\nThe Homestead Principle #4<\/em>, Galerie Maurits van de Laar, The Hague, NL
\nThe Homestead Principle #3:<\/em> Anti-fascists asleep at their desks, LE SUD, Rotterdam, NL<\/td>\n<\/tr>\n
2013<\/td>\nRolling down the stairs<\/em>, SMAC Berlin, Germany
\nDisappearer<\/em>, Galerie Jaap Sleper, Utrecht, NL<\/td>\n<\/tr>\n
2011<\/td>\nKid’s Alright<\/em>, Galerie Barbara Seiler Galerie, Z\u00fcrich, CH<\/td>\n<\/tr>\n
2010<\/td>\nArt Bridge: New York – Berlin<\/em>, Cookies, Berlin, Germany<\/td>\n<\/tr>\n
2009<\/td>\nDie Information, die da drinnen steckt, ist grossartig<\/em>, (with Philip Groezinger), Mikael Andersen Galerie, Copenhagen, DenmarkBCBG<\/em>, Klara Wallner Galerie, Berlin, Germany<\/td>\n<\/tr>\n
2008<\/td>\nTo remember is bliss<\/em>, Forgotten Bar Project, Galerie im Regierungsviertel, Berlin, Germany<\/td>\n<\/tr>\n
2007<\/td>\nEksorsizm Eksersize<\/em>, Klara Wallner Galerie, Berlin, Germany<\/td>\n<\/tr>\n
2006<\/td>\nArt Forum<\/em>, Klara Wallner Galerie, Berlin, Germany
\nZeichnungen\/ Drawings<\/em>, BASISRAUM piper, Berlin, Germany<\/td>\n<\/tr>\n
2005<\/td>\nThe End Is Far<\/em>, Museum MAN, Liverpool, UK<\/td>\n<\/tr>\n
2001<\/td>\nReturn of the Dead Dogs<\/em>, Stichting Outline, Amsterdam, NL<\/td>\n<\/tr>\n
2000<\/td>\nG-Theorem 31\/KC-Serum 94<\/em>, Cult. Centrum De Azijnfabriek, Roermond, NL<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2025<\/td>\nPaper Positions Berlin, <\/em>Galerie Maurits van de Laar, Berlin, Germany<\/td>\n<\/tr>\n
2024<\/td>\nDavid Bade, Nathan Henderson, Sebastiaan Schlicher, Galerie Maurits van de Laar, \u00a0 The Hague, NL<\/td>\n<\/tr>\n
2023<\/td>\nI still care,<\/em><\/em> (with a.o. Ronald Ophuis, Kexin Hao, Joseph
\nPalframan, Arthur Cordier, Haevan Lee, Jo Baer, Ma Xiao Yao, Jerrold Saija, Philipp
\nGroubnov, Rosa Zangenberg), Eurocenter, Amsterdam, NL<\/td>\n<\/tr>\n
2022<\/td>\nMoving Up, <\/em><\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2021<\/td>\nEquipe 1, <\/em><\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2020<\/td>\nThe Books Happen II, <\/em><\/em>Kunstverein projektraum Bahnhof-25. Kleve, Germany<\/td>\n<\/tr>\n
2019<\/td>\nTHEY <\/em><\/em>(performance), European Media Art Festival (EMAF), Osnabru\u0308ck, Germany
\nDie Scho\u0308nheit kann ebenso gut aus der Ho\u0308lle stammen wie aus den Himmel
\n<\/em><\/em>(with a.o. Jonathan Meese, Matthias Weisscher, Maria Ondrej) Sta\u0308dtische Galerie im alten Feuerhaus, Bad Reichenhall, Germany
\nPaper works <\/em><\/em>(a.o. with Rezi van Lankveld, Sarah Verbeek, Arjan van Helmond,
\nAlexandra Leykauf, Marjolein Rothman), Galerie Albada Jelgersma, Amsterdam NL<\/td>\n<\/tr>\n
2018<\/td>\n6 voor 6, <\/em><\/em>collective exhibition at Loods 6, KNSM Island, Amsterdam, NL
\nThe Wild<\/em>,\u00a0Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2017<\/td>\nART Rotterdam 2017<\/em>, Galerie Maurits van de Laar, Van Nellefabriek, Rotterdam, NL
\nJetzt Druck Machen<\/em> – Aus dem Atelier f\u00fcr Radierung Leipzig 09-17<\/em>, Museum Angerlehner, Talhelm\/Wels, Austria
\n<\/span>De FamiliekamerKunstprijs<\/em> 2017, De Familiekamer, Leiden, NL
\nGolden Ass<\/em>, Laden f\u00fcr Nichts, Leipzig, Germany
\nHow to Disappear Completely<\/em>, Garage, Rotterdam, NL
\nTransience\/Verg\u00e4nglichkeit<\/em>, Schau Fenster, Berlin, Germany
\nTransience II<\/em>, \u00c5-huset, Uppsala konstn\u00e4rsklubb, Uppsala, Sweden
\n<\/span>Observe! Observe! Observe!, Whitesuit Projections, Nijmegen, NL<\/span><\/td>\n<\/tr>\n
2016<\/td>\nTrack and Trace I & II: 25 Years<\/em> Galerie Maurits van de Laar<\/em>, The Hague, NL
\nThe Big Draw,<\/em> Amsterdam, NL
\nThe Larry Video Show<\/em>, Larry, Berlin, Germany
\nTRAUMRAUM<\/em>, Drawing Centre, Diepenheim, NL
\nScribble for Life,<\/em> Temporary Art Centre, Eindhoven, NL
\nAlptraum, RAE (HQ)<\/em>, space for contemporary art, Berlin
\nSweat Shop \/ Behind the Sweat Shop<\/em>, Schau Fenster, Berlin
\nTeach Me A New Language<\/em>, Tetem, Enschede, NL
\nDrawing Front Amsterdam<\/em>, Nieuw Dakota, Amsterdam, NL
\nPatty Morgan radio<\/em> \/ Ja Ja Ja Nee Nee Nee<\/em>, Intersections, Art Rotterdam, NL<\/td>\n<\/tr>\n
2015<\/td>\nParallel Stories<\/em>, Arti et Amicitiae, Amsterdam, NL
\nThe books happen<\/em>, Kunstruimte Kuub, Utrecht, NL
\nArte Concordia 2015<\/em>, Avenue Concordia, Rotterdam, NL
\nNo place like home<\/em>, SMAC, Berlin, Germany
\nMy first drawing<\/em>, Amsterdam Drawing, Amsterdam, NL
\nAlptraum\/Cauchemar\/Nightmare<\/em>, Visual Voice Gallery, Montreal, Canada
\nSleepover,<\/em> De Goudfazant, Amsterdam, NL
\nIAMsterdamYOUBErlin<\/em>, St. Johannes Evangelist-Church, Berlin, Germany
\nH\u00f4tel Dunkerkque<\/em>, FRAC NORD-PAS DE CALAIS, Dunkirk, France
\nTales from Darkness<\/em>, Sunaparanta Art Centre, Panjim, Goa, India
\nAlles was Ich mag<\/em>, fast, Schaufenster, Berlin, Germany<\/td>\n<\/tr>\n
2014<\/td>\nI am not doing anything until I feel the need<\/em>, De Nederlandsche Bank, Amsterdam, NL
\nMy first drawing, Galerie Maurits van de Laar, Amsterdam Drawing, Amsterdam, NL
\nSculptures & works on Paper<\/em>, Mikael Andersen Galerie, Berlin, Germany
\nAlptraum<\/em>, UGM Maribor Art Gallery, museum of modern and contemporary art, Slowenia
\nA Drawback<\/em>, Quartair, contemporary art initiative, The Hague, NL
\nGlamour und Carnevaleskes<\/em>, Vitrine-FN, Friedrichshafen, Germany
\nRecent acquisitions<\/em>; Zwaan, Schlicher, Ossip, Centraal Museum, Utrecht, NL<\/td>\n<\/tr>\n
2013<\/td>\nPop Hits & Alptraum<\/em>, Artspace Rhein-Main, Offenbach, Germany
\nThe partaker partakes of that which changes him<\/em>, TAC, Eindhoven, NL
\nAlles Wasser II<\/em>, Mikael Andersen Galerie, Copenhagen
\nIdentifying Europe<\/em>, Rijksmuseum Twenthe, Enschede, NL
\nBecause it’s written<\/em>, Wolfart projects, Rotterdam, NL
\nDrawing Cabinet, Galerie Maurits van de Laar, The Hague, NL
\nMy fear is your desire<\/em>, Schaufenster, Berlin, Germany
\nRebel House<\/em>, Bonnefantenmuseum, ECI, Roermond, NL<\/td>\n<\/tr>\n
2012<\/td>\nSecret Postcards<\/em>, Jan van Eijck Academy, Maastricht, NL
\nAlptraum<\/em>, X Projectspace, Berlin, Germany
\nSeptember Edition<\/em>: Luxus Loft #4, Atelierhof Kreuzberg, Berlin, Germany
\nAPES presents<\/em>, Galerie Volker Diehl, Berlin, Germany
\nPlease wait while we contact your bank #2<\/em>, French Riviera, London, UK
\nHuis Rotterdam<\/em>, Het Wilde Weten, Rotterdam, NL
\nAlles Wasser<\/em>, Mikael Andersen Galerie, Berlin, Germany
\nAlptraum<\/em>, Green Papaya Art Project, Metropolitan Museum of Manila, Philippines
\nLuxus Loft Anniversary show,<\/em> Forum Kreuzberg, Berlin, Germany<\/td>\n<\/tr>\n
\u00a02011<\/td>\nCatch of the year 2011<\/em>, Dienstgeb\u00e4ude, Z\u00fcrich, CH
\nLes T\u00e9l\u00e9visions<\/em>, French Riviera, London, UK
\nDie Niederl\u00e4ndische Botschaft l\u00e4dt ein @ Kosmetik Salon Babette, Berlin, Germany
\nGruppenausstellung, Galerie Patrick Ebensperger, Berlin\/Graz, Germany
\nDrawings.<\/em> Marcel van Eeden, Johan Gustavsson, Daniel Jensen, Rens Krikhaar, Sebastiaan Schlicher, Galerie Maurits van de Laar, The Hague, NL
\nBackstage Riders<\/em>, Tagesspiegelgebaude, Berlin, Germany
\nDie Linie \u00fcberschreiten<\/em>. Eine Zeichnungsaustellung, Westwendischer Kunstverein, Gartow, Germany
\nOut of Storage: Provisoire & D\u00e9finitif<\/em> (collection FRAC Nord-Pas de Calais), Marres Centre for Contemporary Culture, Maastricht, NL
\nAll about drawing. 100 Dutch artists<\/em>, Stedelijk Museum, Schiedam, NL
\nSearch & Destroy,<\/em> Galerie Mikael Andersen, Berlin, Germany<\/td>\n<\/tr>\n
2010<\/td>\nThe Up and Coming<\/em>, CAA & Deutsche Guggenheim Club, M\u00fcnzsalon, Berlin, Germany
\nNight Of The Pawn<\/em>, Baumwollspinnerei, Leipzig, Germany
\nSo Pulo: The Secret History of the Mondrian Fan Club<\/em>: part 3, Galeria Baro, S\u00e3o Paulo, Brazil
\nThe total fuckin’ darkness show<\/em>, Appartement, Berlin, Germany
\nDiving For Pearls in Your own Soup (Extension)<\/em>, St\u00e4dtische Kunsthalle M\u00fcnchen Lothringer 13, Munich, Germany
\nViehl Dolkers<\/em>, Galerie Volker Diehl, Berlin, Germany
\nMythe Berlijn.<\/em> Museum Het Domein presenteert, AINSI, Maastricht, NL
\nA Drawback<\/em>, Edinburgh Art Festival, Scotland
\nFresco Mondo,<\/em> Berlin Kreuzberg Biennale, Berlin, Germany
\nHostile Aestetik Takeover, Appartement, Berlin, Germany
\nHypernatural, Kunstcampus Heidestrasse, Berlin, Germany
\nRadical Adults, The Forgotten Bar project, Galerie im Regierungsviertel, Berlin, Germany
\nKlara Wallner Galerie @ Art Rotterdam 2010, Rotterdam, NL
\nKlara Wallner Galerie @ Art Cologne 2010, Cologne, Germany
\nRemix IV, The Forgotten Bar project, Galerie im Regierungsviertel, Berlin, Germany
\nCabin Fever, Co-Prosperity Sphere, Chicago, USA<\/td>\n<\/tr>\n
2009<\/td>\nCabin Fever<\/em>, Co-Prosperity Sphere, Chicago, USAYou can tell a cowboy by the horse he rides<\/em>, Barbara Seiler Galerie, Zurich, CH
\nZeigen<\/em>. Eine Audiotour durch Berlin von Karin Sander, Tempor\u00e4re Kunsthalle, Berlin, Germany
\nNotes on Narratives<\/em>, , NEST Ruimte, The Hague, NL
\nZwei Dumme Ein Gedanke<\/em>, Laden f\u00fcr Nichts, Leipzig, Germany
\nEdinburgh House, Sierra Metro, Edinburgh, Scotland
\nReliquaries of Empires dust<\/em> , Museum MAN @ Bereznitsky Gallery, Berlin, Germany
\nBackstage<\/em>, Galerie Mikael Andersen, Berlin, Germany
\nDas Unheimliche<\/em>, Modulorhaus, Berlin, Germany
\nKunstmanufaktur (nr.1)<\/em>, , Georges & I, Berlin, Germany
\nTrendbeheer presents, <\/em>ART Rotterdam, De Hofbogen, Rotterdam, NL<\/td>\n<\/tr>\n
2008<\/td>\nAccrochage!!<\/em>, Klara Wallner Galerie, Berlin, Germany
\nIndifference (is bliss)<\/em>, Zentrum Kreuzberg, Berlin, Germany
\nArmut Macht Geil<\/em>, TAC, Eindhoven, NL
\nAccrochage!<\/em>, Klara Wallner Galerie, Berlin, Germany
\nGeorge & I presents<\/em>: La Fin Du Monde, BAIZ, Berlin, Germany<\/td>\n<\/tr>\n
2006<\/td>\nToday even the drawers are winners<\/em>, Klara Wallner Galerie, Berlin, Germany
\nPanic Our Older Brother<\/em>, ALM, Munich, Germany
\nMuseum MAN @ Independents, Biennial Liverpool 2006, Liverpool, UK
\nDraw Drawn<\/em>, The Foundry, London, UK<\/td>\n<\/tr>\n
2005<\/td>\nMusic For The Artists<\/em>, Veemvloer, Amsterdam, NL
\nUntitled Drawing Show<\/em>, Big Love Gallery, G\u00f6teborg, Sweden
\nBiennale Festival of Contemporary Art in San Francisco and Oakland, USA
\nArt Concept<\/em>, Alpha-Beta, St Petersburg, Russia
\nHappy Garden<\/em>, Hang Gallery, Amsterdam, NL
\nObsession<\/em>, film & video festival, Galeri X, Istanbul, Turkey
\nAt the Rio<\/em>, The Centre of Attention, London, UK
\nNight Flight<\/em>, Museum MAN, Liverpool, UK
\nArt 05 X-change<\/em>, The Arena, Coach Shed, Liverpool, UK
\nSztuka Fabryka, St. Niklaas, Belgium<\/td>\n<\/tr>\n
2004<\/td>\nMuseum MAN @ Liverpool Biennale, Liverpool, UKPrecipitations 2<\/em>, Al Kufa Gallery, London, UK
\nDraw_Drawn<\/em>, Gallery 32, London, UK
\ngeTEKENd Katendrecht<\/em>, Handelsveem, Rotterdam, NL
\nPrecipitations<\/em>, The Lab Gallery, Manhattan, USA
\nWelcome Back<\/em>, ZET foundation, Kunstvlaai 5, Amsterdam, NL
\nDouble Scotch & Double Dutch, Amstelkerk, Amsterdam, NL<\/td>\n<\/tr>\n
2003<\/td>\nBig night Out<\/em>, S\u00f6ders Internationella Konst Bienal (r), Stockholm, Sweden<\/td>\n<\/tr>\n
2002<\/td>\nSea View Hotel 2002 pt.2<\/em>, Gardens of Joy and Multiple Pleasures, Camberwell, London, UK<\/td>\n<\/tr>\n
2000<\/td>\nPosters and Flyers<\/em>, RMIT, Melbourne, AustraliaOff a Wall<\/em>, River Level Gallery, Milwaukee Institute of Art, Milwaukee, USA
\nRosa Rot Bar<\/em>, Millennium Masters, Wimbledon School of Art, London, UK
\nLes Mots Implosifs<\/em>, Lombard Estate Studios, London, UK<\/td>\n<\/tr>\n
1999<\/td>\nLucid Dreams,<\/em> Wimbledon Library Gallery, London, UK
\nFrom Here to The Overlook and Back<\/em>, Lombard Estate Studios, London, UK
\nFound Pictures Of Events That May Have Never Taken Place, <\/em>Foyer Gallery, Wimbledon School of Art, London, UK<\/td>\n<\/tr>\n
<\/td>\n\u00a0<\/em><\/td>\n<\/tr>\n
<\/td>\n\n

Awards, Grants, Residencies<\/em><\/h3>\n<\/td>\n<\/tr>\n

2018<\/td>\nResidency at Luceberthuis, Bergen, NL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] Sebastiaan Schlicher [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc1882-6a43″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text] In Sebastian Schlicher\u2019s (1975) drawings ecstatic stage performers, cult members, religious types, occultists, survivalists or politicians appear who are in a state of melancholia, rage or fear. They have put themselves into a pathetic battle mode, struggling to get through life,…<\/p>\n","protected":false},"author":2,"featured_media":26048,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[1391],"class_list":["post-2235","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-artist-en","dt_portfolio_tags-sebastiaan-schlicher","dt_portfolio_category-174","description-off"],"yoast_head":"\nSebastiaan Schlicher - mauritsvandelaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sebastiaan Schlicher - mauritsvandelaar\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] Sebastiaan Schlicher [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc1882-6a43″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text] In Sebastian Schlicher\u2019s (1975) drawings ecstatic stage performers, cult members, religious types, occultists, survivalists or politicians appear who are in a state of melancholia, rage or fear. They have put themselves into a pathetic battle mode, struggling to get through life,…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/\" \/>\n<meta property=\"og:site_name\" content=\"mauritsvandelaar\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/galerie.mauritsvandelaar\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-08T14:34:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"932\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@mauritsvdlaar\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"17 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/\",\"url\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/\",\"name\":\"Sebastiaan Schlicher - mauritsvandelaar\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/wp-content\\\/uploads\\\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg\",\"datePublished\":\"2021-09-01T13:27:52+00:00\",\"dateModified\":\"2026-05-08T14:34:43+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/#primaryimage\",\"url\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/wp-content\\\/uploads\\\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg\",\"contentUrl\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/wp-content\\\/uploads\\\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg\",\"width\":932,\"height\":1200,\"caption\":\"Sebastiaan Schlicher, Don't Give Papaya, 2022, mixed media on paper, 380 x 240 cm\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/sebastiaan-schlicher\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Portfolio\",\"item\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/en\\\/artist\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Sebastiaan Schlicher\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/#website\",\"url\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/\",\"name\":\"mauritsvandelaar\",\"description\":\"Galerie Maurits van de Laar\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/mauritsvandelaar.nl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sebastiaan Schlicher - mauritsvandelaar","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/","og_locale":"en_US","og_type":"article","og_title":"Sebastiaan Schlicher - mauritsvandelaar","og_description":"[vc_row][vc_column][vc_column_text] Sebastiaan Schlicher [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc1882-6a43″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text] In Sebastian Schlicher\u2019s (1975) drawings ecstatic stage performers, cult members, religious types, occultists, survivalists or politicians appear who are in a state of melancholia, rage or fear. They have put themselves into a pathetic battle mode, struggling to get through life,…","og_url":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/","og_site_name":"mauritsvandelaar","article_publisher":"https:\/\/www.facebook.com\/galerie.mauritsvandelaar\/","article_modified_time":"2026-05-08T14:34:43+00:00","og_image":[{"width":932,"height":1200,"url":"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@mauritsvdlaar","twitter_misc":{"Est. reading time":"17 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/","url":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/","name":"Sebastiaan Schlicher - mauritsvandelaar","isPartOf":{"@id":"https:\/\/mauritsvandelaar.nl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/#primaryimage"},"image":{"@id":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/#primaryimage"},"thumbnailUrl":"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg","datePublished":"2021-09-01T13:27:52+00:00","dateModified":"2026-05-08T14:34:43+00:00","breadcrumb":{"@id":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/#primaryimage","url":"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg","contentUrl":"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Sebastiaan-Schlicher-Dont-Give-Papaya-2022-mixed-media-.jpg","width":932,"height":1200,"caption":"Sebastiaan Schlicher, Don't Give Papaya, 2022, mixed media on paper, 380 x 240 cm"},{"@type":"BreadcrumbList","@id":"https:\/\/mauritsvandelaar.nl\/en\/artist\/sebastiaan-schlicher\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/mauritsvandelaar.nl\/en\/"},{"@type":"ListItem","position":2,"name":"Portfolio","item":"https:\/\/mauritsvandelaar.nl\/en\/artist\/"},{"@type":"ListItem","position":3,"name":"Sebastiaan Schlicher"}]},{"@type":"WebSite","@id":"https:\/\/mauritsvandelaar.nl\/#website","url":"https:\/\/mauritsvandelaar.nl\/","name":"mauritsvandelaar","description":"Galerie Maurits van de Laar","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/mauritsvandelaar.nl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/dt_portfolio\/2235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/comments?post=2235"}],"version-history":[{"count":0,"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/dt_portfolio\/2235\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/media\/26048"}],"wp:attachment":[{"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/media?parent=2235"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=2235"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/mauritsvandelaar.nl\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=2235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}