{"id":23534,"date":"2023-09-20T14:31:19","date_gmt":"2023-09-20T12:31:19","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/?post_type=dt_portfolio&p=23534"},"modified":"2023-09-20T15:45:38","modified_gmt":"2023-09-20T13:45:38","slug":"elsbeth-ciesluk","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/elsbeth-ciesluk\/","title":{"rendered":"Elsbeth Ciesluk"},"content":{"rendered":"

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Elsbeth Ciesluk<\/h1>\n

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\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc967b-5cc9″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Elsbeth Ciesluk often uses enigmatic texts that occur to the artist in the silence of a calm night, or during the repetitive process of working on her woodcuts. She preferably uses a typewriter to write these texts that are both very direct and mysterious, expressing a sense of wonder, but also dealing with the struggle with the imperfections of daily life. She them as stand-alone typographic images, but also incorporates some of the words alongside geometric shapes into layered, horizontal compositions. The latter are in turn reminiscent of the structures in dance and musical notations for a choreography or music partiture.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]In addition to being a visual artist, Elsbeth Ciesluk (1986) is an athlete who runs the fifteen hundred meters at a national level. Earlier she also practiced classical dance. Pushing yourself to the limit as a dancer and athlete is also present in her artwork in the time consuming process of making large woodcuts but also in performances that can be physically exhausting. For example, she did a performance in which she dances on a floor covered with white paper on which paint is dripped. The paint is spread across the floor by her feet so that her choreography is left behind as an image.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Biography” tab_id=”1440507584491-628a5fac-75f2967b-5cc9″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1969<\/td>\nBorn in Roeselaere, Belgium<\/td>\n<\/tr>\n
<\/td>\n\n

education<\/h3>\n<\/td>\n<\/tr>\n

1988-1992<\/td>\nRoyal Academy of Fine Arts, Graphic Arts, Gent, Belgium<\/td>\n<\/tr>\n
1996-1998<\/td>\nRoyal Academy of Fine Arts, Mixed Media , Gent, Belgium<\/td>\n<\/tr>\n
<\/td>\nlives and works in Gent, Belgium<\/td>\n<\/tr>\n
<\/td>\n\n

<\/h3>\n<\/td>\n<\/tr>\n

<\/td>\n\n

solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2019<\/td>\nSo Called Human<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2018<\/td>\nQuietly Humming Thoughts, <\/em>Gallery Fifty One, Antwerp, Belgium
\nA Moment of Collective Concentration during the Expedition<\/em>, Emergent, Veurne, Belgium<\/td>\n<\/tr>\n
2017<\/td>\nTo Be Determined. According to the Situation<\/em>, SMAK Gent, Belgium<\/td>\n<\/tr>\n
2016<\/td>\nSenhor Palha\u00e7o<\/em>, Small Art Center, Antwerpen, Belgium
\nIn Anticipation of Improvement<\/em> – The Be-Part Exercises, Waregem, Belgium<\/td>\n<\/tr>\n
2015<\/td>\nNative Constructions<\/em>, Waldkirchen, Germany
\nVarious parts, present on all levels<\/em>, Art integration, Aalst, Belgium
\nCollection of Components<\/em>, Teylers Museum, Haarlem, NL<\/td>\n<\/tr>\n
2014<\/td>\nThe Woodcut series. Muziekcentrum De Bijloke, Gent, Belgium<\/td>\n<\/tr>\n
2013<\/td>\nS-trails, Loods 12, Wetteren, Belgium
\nBookprsentation The Big Convoy, KIOSK, KASK, Gent, Belgium<\/td>\n<\/tr>\n
2012<\/td>\nThe Big Convoy<\/em>, Galerie Annie Gentils, Antwerpen, Belgium<\/td>\n<\/tr>\n
2008<\/td>\nDirk Zoete, De Voorkamer, Lier, Belgium
\nFlemish Voodoo<\/em>, Annie Gentils Gallery, Antwerp, Belgium<\/td>\n<\/tr>\n
2007<\/td>\nvzw Croxhapox, Gent, Belgium<\/td>\n<\/tr>\n
2006<\/td>\nGalerij Kunstzicht, Gent, Belgium<\/td>\n<\/tr>\n
2005<\/td>\nGalerie Jan Dhaese, Gent, Belgium<\/td>\n<\/tr>\n
2004<\/td>\nSTUK Kunstencentrum vzw, Leuven, Belgium<\/td>\n<\/tr>\n
2003<\/td>\nManurewall<\/em>, De Voorkamer, Lier, Belgium<\/td>\n<\/tr>\n
2002<\/td>\nLiving in a Head like a Homely Adventurer<\/em>, 1:13, Galerie De Lege Ruimte, Gent, Belgium<\/td>\n<\/tr>\n
1999<\/td>\nPontormo on View<\/em>, (academy gallery) K.A.S.K.- Hogeschool Gent, Belgium<\/td>\n<\/tr>\n
1998<\/td>\nDe Voorkamer, Lier. Belgium
\nTENT, Tour en Taxis, Brussel, Belgium<\/td>\n<\/tr>\n
1997<\/td>\nvzw Croxhapox, Gent, Belgium<\/td>\n<\/tr>\n
1996<\/td>\nHigh Performance Permanent Marker<\/em>, Kultureel Centrum De Schakel, Waregem, Belgium
\nHigh Performance Permanent Marker<\/em>, Sint-Pietersabdij, Gent. Belgium<\/td>\n<\/tr>\n
1994<\/td>\nWoodcuts Gent, Belgium<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2021<\/td>\nArt Rotterdam<\/em>, Galerie Maurits van de Laar, Rotterdam, NL
\nDrawing Now Alternative<\/em>, Galerie Maurits van de Laar, Paris, France<\/td>\n<\/tr>\n
2018<\/td>\nComme les nuages, les formes du monde tournent les unes dans les autres<\/em>, Centre d’Art Contemporain Chanot, Clamart, Paris, France
\nDrawing Now Paris<\/em>, Galerie Maurits van de Laar, Paris, France<\/td>\n<\/tr>\n
2017<\/td>\nArt On Paper<\/em>, Galerie Maurits van de Laar, Brussels, Belgium
\nFa\u00e7ade 2017, Face Your Freedom<\/em>, Middelburg, NL
\nAd\u00e8le<\/em>, Galerie Zink, Waldkirchen, Germany
\nLe Nouvel Observateur<\/em>, Hof ter Saksen, Beveren, Belgium
\nSeventeen<\/em>, Gallery Fifty One, Antwerp, Belgium
\nArt Rotterdam<\/em>, Galerie Maurits van de Laar, Rotterdam, NL
\nGreetings from Ghent<\/em>, Galerie Zink, Waldkirchen, Germany
\nArt Brussels<\/em>, Galerie Zink, Brussels, Belgium
\nDrawing Now Paris<\/em>, Galerie Maurits van de Laar, Paris, France
\nThe Stage Between (the) More and Less<\/em>, KROMUS + ZINK, Berlin, Germany
\nBased on many faces<\/em>, Coup de Ville, Sint-Niklaas, Belgium
\nDrawing Front<\/em>, Drawing Center, Diepenheim, The Netherlands<\/td>\n<\/tr>\n
2016<\/td>\nTrack & Trace I, II,<\/em> 25 years Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2015<\/td>\nAmsterdam Art Fair<\/em>, Galerie Maurits van de Laar, Amsterdam, NL
\nVormidable. Flemish Sculpture<\/em>, Beelden aan Zee, The Hague, NL
\nDrawings, film Belgian Sculptors, parallel to Vormidable, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2014<\/td>\nConflicts<\/em>, Vierkante zaal, Academie Sint-Niklaas, Belgium
\nEen onvervalste leugen<\/em>. Emergent, Veurne, Belgium
\nSeparation of Concerns<\/em>, Villa De Olmen, Wieze, Belgium
\nMuseum on scale 1:7<\/em>. Project: Galerie Ronny Van de Velde , Antwerp, Belgium
\nKoninklijke Musea Schone kunsten van Belgi\u00eb, Brussel, Belgium
\nThe Baker Museum, Florida, USA
\nKunsthal, Rotterdam, NL
\nZee<\/em>.\u00a0Galerie Maurits van de Laar, Den Haag, NL<\/td>\n<\/tr>\n
2013<\/td>\nAmsterdam Drawing<\/em>, Galerie Maurits van de Laar, Galerie Annie Gentils, Amsterdam, NL
\nConstructies<\/em>. Emergent, Veurne, Belgium<\/td>\n<\/tr>\n
2012<\/td>\nFa\u00e7ade<\/em>, vzw Netwerk, Aalst, Belgium
\nDuo exhibition with Martin Assig (Ger.), Dirk Zoete. Galerie Maurits van de Laar, The Hague, NL
\nHermetic City<\/em>, Garage, Rotterdam, NL
\nArcadian Boxes<\/em>, Gallery Siakos-Hanappe (curator Steven Jacobs) Athens, Greece<\/td>\n<\/tr>\n
2011<\/td>\nMorrens en De Boe Productions,\u00a0Aux Brasseurs, Li\u00e8ge Belgium
\nTemporary Stay<\/em>, Kasteel D\u2019 Aspermont-Lynden, Oud -Rekem, Belgium<\/td>\n<\/tr>\n
2010<\/td>\nTender Buttons<\/em>, studentrestaurant \u2018De Overpoort\u2019, Gent, Belgium
\nTwo of a Kind<\/em>, Klingental, Basel, CH
\nThe Power of Drawing<\/em>, Gallery Geukens en De Vil, Antwerp, Belgium
\nFrieze Art,<\/em>stand with Wesley Meuris, Els Vanden Meersch, Herman Van Ingelgem, Paris, France<\/td>\n<\/tr>\n
2009<\/td>\nLandart project<\/em>, with Kultivator (S), Eva Fiore Kovakovsky (CH) Tue Greenford (DK) and Maartje Korstanje (NL) Art Station Wilheminapolder, Zeeland, NL<\/td>\n<\/tr>\n
2008<\/td>\nPlaytime<\/em>, Benedengalerij, Kultuur Centrum, Kortrijk, Belgium
\nMonumental Architecture<\/em>, vzw, Luipegem, Belgium<\/td>\n<\/tr>\n
2007<\/td>\nNew Collection<\/em>, Stedelijk Museum Wuyts-Van Campen & Baron Caroly, Lier, Belgium
\nOpen Studios, Atelierhaus des Bonner Kunstvereins, Bonn, Germany<\/td>\n<\/tr>\n
2006<\/td>\nDOTS-expo<\/em>, Square Room, Academy, Sint-Niklaas, Belgium
\nBruegel Revisited<\/em>, (cat.) Kasteel van Bouchout, National Botanical Garden, Meise, Belgium
\nWhat is\/What Could Be<\/em>, W139. Amsterdam, NL
\nBrainbox Project<\/em>, Unit 4, Croxhapox, Gent, Belgium<\/td>\n<\/tr>\n
2005<\/td>\nArtificial landscape, The Enchanted Forest<\/em>, (cat.), Sint-Maria-Aalter, Belgium
\nCroxhapox, Gent basics # 2- objects, Belgium
\nKunst en Zwalm<\/em> 2005, Zwalm (cat.), Belgium
\nArtuatuca<\/em>, Cultural Heritage Festival,Tongeren, Belgium
\nLes Ventinelles Edition 2005, Flandres, Angles, France<\/td>\n<\/tr>\n
2004<\/td>\nSee Drawing<\/em>, (cat.) Stedelijk Museum Wuyts-Van Campen & Baron Caroly, Lier, Belgium
\nR\u00e9colte\/Harvest<\/em>, (Provinciale Prijs Beeldende Kunst) (cat.) Caermersklooster, Gent, Belgium
\nDamn art<\/em>, Damme (cat.), Belgium<\/td>\n<\/tr>\n
2003<\/td>\nSculpture in Park<\/em>, (cat.) Felix Hap Park, Brussel, Belgium
\nBestuifbegeerte<\/em>, (cat.), Z 33, Hasselt, Belgium
\nBasics # 1<\/em> – drawings, Croxhapox, Gent, Belgium<\/td>\n<\/tr>\n
2002<\/td>\nWhere, De Brakke Grond, Amsterdam, NL
\nDe Zeeberg – video Tractor Tricks<\/em>, Netwerk, Aalst, Belgium
\nSixpacks – video Tractor Tricks<\/em>, vzw Nadine, Brussel, Belgium
\nArt Concern<\/em>, Kortrijk, Belgium
\nGalerij De Lege Ruimte, Gent, Belgium<\/td>\n<\/tr>\n
2000<\/td>\nCultural Centre, Strombeek Bever, Belgium
\nSTUK – Leuven, Belgium
\nArgos informatiedagen video Tractor Tricks, Beursschouwburg, Brussel, Belgium<\/td>\n<\/tr>\n
1999<\/td>\nCultural Centre De Schakel, Waregem, Belgium<\/td>\n<\/tr>\n
1998<\/td>\nComing People, Vereniging van het Museum voor Hedendaagse Kunst, Gent, Belgium
\nOnix Shoe, Schoenfabriek – De Voorkamer, Lier, Belgium
\nBeursschouwburg, Brussel, Belgium
\nArgos informatiedagen video De wintertafel, Gent, Belgium<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Language plays an important role in the work of Elsbeth Ciesluk (1986), the texts often come from dreams, both direct and mysterious they express wonder, but also the struggle with the reality of everyday life.<\/p>\n","protected":false},"author":2,"featured_media":19504,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[1086],"class_list":["post-23534","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-artist-en","dt_portfolio_tags-elsbeth-ciesluk","dt_portfolio_category-174","description-off"],"yoast_head":"\nElsbeth Ciesluk - mauritsvandelaar<\/title>\n<meta name=\"description\" content=\"Elsbeth Ciesluk (1986) uses texts often coming from her dreams, direct and mysterious they express wonder, but also the imperfections of daily life.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/artist\/elsbeth-ciesluk\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elsbeth Ciesluk - 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