\n<\/td>\n | \neducation<\/h3>\n<\/td>\n<\/tr>\n\n2005-2009<\/td>\n | Royal Academy of visual Arts, The Hague, The Netherlands<\/td>\n<\/tr>\n | \n<\/td>\n | lives and works in Amsterdam, The Netherlands<\/td>\n<\/tr>\n | \n<\/td>\n | \ngroup exhibitions<\/h3>\n<\/td>\n<\/tr>\n\n2019<\/td>\n | Tomb of the Ordinary Man, <\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n\n2018<\/td>\n | Ristretto,\u00a0<\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n\n2017<\/td>\n | 6 voor 6<\/em>, Loods 6, Amsterdam, NL<\/td>\n<\/tr>\n\n2016<\/td>\n | Track and Trace I & II – 25 years Galerie Maurits van de Laar,\u00a0<\/em>The Hague, NL<\/td>\n<\/tr>\n\n2013<\/td>\n | Unfair, <\/em>Amsterdam, NL \nAmsterdam Drawing<\/em>, Galerie Maurits van de Laar, Amsterdam, NL<\/td>\n<\/tr>\n\n2012<\/td>\n | Mirjana Vrbaski: photo’s, \u2028Nare Eloyan: small works (2009 – 2012) Gallery Wim Van Krimpen, Amsterdam, NL \nThe Kids Are Allright, <\/em>\u2028Kunsthal Rotterdam, NL \nNare Eloyan and Aernout Mik (early works)\u2028, Gallery Wim Van Krimpen, Amsterdam, NL<\/td>\n<\/tr>\n\n2011<\/td>\n | \u2028Entry presentation<\/em>, Stroom, The Hague, NL \nSweatboxing,\u2028<\/em> MAMA, Rotterdam\u2028, NL \nYoung Collectors #3: Jaring D\u00fcrst Britt & Alexander Mayhew<\/em>\u2028, Sign, Groningen, NL<\/td>\n<\/tr>\n\n2010<\/td>\n | Burned Figures & Altered Landscapes; Nare Eloyan and Edwin Jans<\/em>, \u2028AYACS, Amsterdam, NL \nNow or Never<\/em>\u2028, GEM (Museum for Contemporary Art), The Hague, NL<\/td>\n<\/tr>\n\n2009<\/td>\n | ArtOlive Joung Talent 09<\/em>\u2028, ArtOlive Gallery – Amsterdam\u2028, NL \nGood Shit, Bad Habits & Loose Women #2<\/em>, \u2028with Veniamin Kazachenko, 1646, The Hague, NL \nFail Again Fail Better <\/em>#2, \u2028MK Galerie Berlin\u2028, Germany<\/td>\n<\/tr>\n\n2008<\/em><\/td>\nEmpty Paradise, <\/em>Photomuseum The Hague, NL<\/td>\n<\/tr>\n\n2007<\/td>\n | Springtime\u2028<\/em>, Th Gallery, The Hague, NL<\/td>\n<\/tr>\n\n2006<\/td>\n | Preview season 2006-2007, \u2028Th Gallery, The Hague, NL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n [\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":" [vc_row][vc_column][vc_column_text] Nare Eloyan [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”25px”][vc_empty_space height=”30px”][\/vc_column][\/vc_row][vc_row margin_top=”32″ animation=”fadeInUp” type=”5″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dcb6a0-ad15″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Nare Eloyan (1988) is interested in art that has close ties to everyday life; as a kind of ethnography of urban society where the boundaries between high and low culture have faded. She collects ceramic vases on markets and in…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[],"class_list":["post-758","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-artist-en","dt_portfolio_category-174","description-off"],"yoast_head":"\n Nare Eloyan - mauritsvandelaar<\/title>\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\n\t\n | | | | | | | | | | | | | | |