{"id":758,"date":"2020-08-01T13:50:30","date_gmt":"2020-08-01T11:50:30","guid":{"rendered":"http:\/\/galeriemauritsvandelaar.nl\/artist\/nare-eloyan-2\/"},"modified":"2023-01-17T13:41:41","modified_gmt":"2023-01-17T12:41:41","slug":"nare-eloyan","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/nare-eloyan\/","title":{"rendered":"Nare Eloyan"},"content":{"rendered":"

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Nare Eloyan<\/h1>\n

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\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[vc_empty_space height=”30px”][\/vc_column][\/vc_row][vc_row margin_top=”32″ animation=”fadeInUp” type=”5″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dcb6a0-ad15″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Nare Eloyan<\/strong> (1988) is interested in art that has close ties to everyday life; as a kind of ethnography of urban society where the boundaries between high and low culture have faded. She collects ceramic vases on markets and in second hand shops which she considers as material handed to her by the urban environment. By painting images and texts on them she adds artistic value to them connects her art with society and daily life.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]In her drawings there is also a connection with popular culture with references to comic strips. In a direct, straightforward way she documents her own experiences but also refers to society, art and literature on a more general level. Like in comics there is often a combination of image and text. Nare Eloyan also made a series of masks in papier mache, a kind of archetypes that neverthless have individual features and character.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Biography” tab_id=”1440507584491-628a5fac-75f2b6a0-ad15″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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1988<\/td>\nBorn in Yerevan, Armenia<\/td>\n<\/tr>\n
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education<\/h3>\n<\/td>\n<\/tr>\n

2005-2009<\/td>\nRoyal Academy of visual Arts, The Hague, The Netherlands<\/td>\n<\/tr>\n
<\/td>\nlives and works in Amsterdam, The Netherlands<\/td>\n<\/tr>\n
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group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2019<\/td>\nTomb of the Ordinary Man, <\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2018<\/td>\nRistretto,\u00a0<\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2017<\/td>\n6 voor 6<\/em>, Loods 6, Amsterdam, NL<\/td>\n<\/tr>\n
2016<\/td>\nTrack and Trace I & II – 25 years Galerie Maurits van de Laar,\u00a0<\/em>The Hague, NL<\/td>\n<\/tr>\n
2013<\/td>\nUnfair, <\/em>Amsterdam, NL
\nAmsterdam Drawing<\/em>, Galerie Maurits van de Laar, Amsterdam, NL<\/td>\n<\/tr>\n
2012<\/td>\nMirjana Vrbaski: photo’s, \u2028Nare Eloyan: small works (2009 – 2012) Gallery Wim Van Krimpen, Amsterdam, NL
\nThe Kids Are Allright, <\/em>\u2028Kunsthal Rotterdam, NL
\nNare Eloyan and Aernout Mik (early works)\u2028, Gallery Wim Van Krimpen, Amsterdam, NL<\/td>\n<\/tr>\n
2011<\/td>\n\u2028Entry presentation<\/em>, Stroom, The Hague, NL
\nSweatboxing,\u2028<\/em> MAMA, Rotterdam\u2028, NL
\nYoung Collectors #3: Jaring D\u00fcrst Britt & Alexander Mayhew<\/em>\u2028, Sign, Groningen, NL<\/td>\n<\/tr>\n
2010<\/td>\nBurned Figures & Altered Landscapes; Nare Eloyan and Edwin Jans<\/em>, \u2028AYACS, Amsterdam, NL
\nNow or Never<\/em>\u2028, GEM (Museum for Contemporary Art), The Hague, NL<\/td>\n<\/tr>\n
2009<\/td>\nArtOlive Joung Talent 09<\/em>\u2028, ArtOlive Gallery – Amsterdam\u2028, NL
\nGood Shit, Bad Habits & Loose Women #2<\/em>, \u2028with Veniamin Kazachenko, 1646, The Hague, NL
\nFail Again Fail Better <\/em>#2, \u2028MK Galerie Berlin\u2028, Germany<\/td>\n<\/tr>\n
2008<\/em><\/td>\nEmpty Paradise, <\/em>Photomuseum The Hague, NL<\/td>\n<\/tr>\n
2007<\/td>\nSpringtime\u2028<\/em>, Th Gallery, The Hague, NL<\/td>\n<\/tr>\n
2006<\/td>\nPreview season 2006-2007, \u2028Th Gallery, The Hague, NL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] Nare Eloyan [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”25px”][vc_empty_space height=”30px”][\/vc_column][\/vc_row][vc_row margin_top=”32″ animation=”fadeInUp” type=”5″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dcb6a0-ad15″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Nare Eloyan (1988) is interested in art that has close ties to everyday life; as a kind of ethnography of urban society where the boundaries between high and low culture have faded. 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