{"id":7734,"date":"2020-03-01T15:13:38","date_gmt":"2020-03-01T14:13:38","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/artist\/jan-brokof\/"},"modified":"2024-04-25T17:01:03","modified_gmt":"2024-04-25T15:01:03","slug":"jan-brokof","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/jan-brokof\/","title":{"rendered":"Jan Brokof"},"content":{"rendered":"

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Jan Brokof<\/h1>\n

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\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tabs interval=”0″ style=”tab-style-three”][vc_tab title=”Introduction” tab_id=”1415107778-1-21b19e-8563e59c-e2f5″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Jan Brokof (1977) <\/strong>was born in former Eastern Germany. In his early work the social environment of his youth with its Plattenbau <\/em>apartment buildings and the chimneys of the local oilrefinery play a prominent role. He once made a completely three-dimensional reconstruction in woodcut of his boy\u2019s room, including the sansevierias in the window sill and posters of Billy Idol, Baywatch and Madonna on the walls. Besides the woodcuts he made colourful drawings with a billboard like stilization in which human interaction and social structures are visualized. This stilization is also strongly present in the colourful collages that he starts making after that. In Berlin he met a Brazilian theatre group with which he went on tour in Brazil. His first visit to Sao Paolo gave him a culture shock similar to the one he experienced on his first visit to West Germany after the fall of the Berlin Wall.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Shortly thereafter he discovered the account by the 16th<\/sup>-century German adventurer Hans Staden about his stay with a tribe of cannibals in Brazil. The explorer describes this new world and in doing so also clearly defines himself as a European. Brokof applies this perspective to the former German Democratic Republic citizen who has to come to terms with the capitalist West. This is the point of departure for collages, works on paper and installations in which exoticism and kannibalism are presented in a curious mix of German and Brazilian motives. Together with Flemish theater director and writer Joachim Robbrecht Jan Brokof started Hans Staden TV, an ongoing video project. In present day Sao Paolo they act out the story of the 16th Century adventurer Hans Staden and create an archetypical tourist\/ousider persona as well, which creates surreal scenes caused by the clash of cultures and of past and present.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”Biography” tab_id=”1415107778-2-16b19e-8563e59c-e2f5″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n\n

Jan Brokof<\/h3>\n<\/td>\n<\/tr>\n

1977<\/td>\nSchwedt and der Oder, DDR<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
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education<\/h3>\n<\/td>\n<\/tr>\n

<\/td>\n<\/td>\n<\/tr>\n
1999 – 2004<\/td>\nHochschule f\u00fcr Bildende K\u00fcnste Dresden, DDR<\/td>\n<\/tr>\n
2004 – 2006<\/td>\nMeistersch\u00fcler with Prof. Ralf Kerbach, Hochschule f\u00fcr Bildende K\u00fcnste Dresden, DDR<\/td>\n<\/tr>\n
<\/td>\nlives and works in Berlin<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2015<\/td>\nHans Staden TV-Infotainment Show, <\/em>Goethe-Institut, Sao Paolo, Brasil<\/td>\n<\/tr>\n
2014<\/td>\nFrucht und Zucker<\/em>, Kunsthaus Erfurt, Germany<\/td>\n<\/tr>\n
2013<\/td>\nCanibalhalla<\/em>, Studio NihilBaxter Berlin, Germany<\/td>\n<\/tr>\n
2012<\/td>\n\u00a5\u20ac$,<\/em> Galerie Daer, Dresden, Germany
\nDeutscher Gedenkdruck<\/em>, Galerie Baer Dresden, Germany<\/td>\n<\/tr>\n
2011<\/td>\nDer Westen war einsam<\/em>, Folkwang Museum Essen, Germany<\/p>\n

Concrete Forest<\/em>, Leonhardi-Museum, Dresden, Germany<\/td>\n<\/tr>\n

2009<\/td>\nGeh\u00e4use, <\/em>Galerie Baer Dresden, Germany<\/td>\n<\/tr>\n
2008<\/td>\nBlock Print,<\/em> Kunstverein Friedrichshafen, Germany
\nSommerloch<\/em>, SOX Berlin, Germany
\nHinterland<\/em>, Museum Junge Kunst, Frankfurt\/Oder, Germany
\nIn Farbe<\/em>, Galerie VOUS ETES ICI, Amsterdam, NL<\/td>\n<\/tr>\n
2007<\/td>\nBilder im Mittelgang<\/em>, Galerie Pankow, Berlin, Germany
\nUnter dem Pflaster, da liegt der Strand<\/em>, St\u00e4dtisches Kunstmuseum Spendhaus Reutlingen, Germany
\nWo wir wohnten<\/em>, Goethe Institut Rotterdam, NL
\nSch\u00f6ne H\u00e4user<\/em>, Galerie Baer Dresden, Germany<\/td>\n<\/tr>\n
2006<\/td>\nMarion-Ermer-Preistr\u00e4ger<\/em>, Hochschule f\u00fcr Bildende K\u00fcnste Dresden, Germany
\nHegenbarth-Stipendiaten<\/em>, Senatssaal, Hochschule f\u00fcr Bildende K\u00fcnste Dresden, Germany
\nHinter Fassaden<\/em>, Galerie Baer, Dresden, Germany<\/td>\n<\/tr>\n
2005<\/td>\nDas Haus, der Stuhl, die Wurst<\/em>, Verein f\u00fcr Originalradierung, M\u00fcnchen, Germany<\/td>\n<\/tr>\n
2004<\/td>\nWohnkomplexe<\/em>, Galerie f\u00fcr Junge Kunst, Dresden, Germany<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
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group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2016<\/td>\nTrack & Trace I, II<\/em>, 25 years Galerie Maurits van de Laar, <\/em>The Hague, NL<\/td>\n<\/tr>\n
2015<\/td>\nExposi\u00e7\u00e3o de desenhos<\/em>, Sala Aberta ,Sao Paolo, Brasil\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ausgerechnet Gesellschaft<\/em>, Osts\u00e4chische Sparkasse Dresden, Germany<\/td>\n<\/tr>\n
2013<\/td>\nGalerie Baer all star cast<\/em>, Galerie Baer, Dresden, Germany \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 EinDruckAusstellung<\/em>, Halle 14, Leipzig, Germany
\nJetzt hier,<\/em> Staatliche Kunstsammlungen Dresden, Germany
\nSchaufenster: Zwickau meets Dresden<\/em>, Kunstverein Freunde aktueller Kunst
\nZwickau, Germany
\nSchauplatz Stadt,<\/em> Kunstmuseum M\u00fclheim,M\u00fclheim an der Ruhr, Germany
\nRisk Society. Individualisation in Young German Contemporary Art<\/em>,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Museum of Contemporary Art, Taipei, Taiwan
\nVon Wilhelm Laage bis Jan Brokof – Architekturdarstellungen aus der \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sammlung<\/em>, St\u00e4dtisches Kunstmuseum Spendhaus Reutlingen, Germany Ostrale 013<\/em>, Dresden, Germany
\nVon Georg Baselitz bis Daniel Richter<\/em>, Jan Brokof a.o. Feininger-Galerie \u00a0\u00a0\u00a0\u00a0\u00a0 Quedlinburg, Germany<\/td>\n<\/tr>\n
2012<\/td>\nOtto Dix Preistr\u00e4ger<\/em>, Kunstsammlungen, Gera, Germany
\nNeuerwerbungen Teil 2<\/em>, Museum junge Kunst ,Frankfurt\/O., GermanyKnappdanebenistauchvorbei<\/em>, D\u00fcsseldorf, Germany<\/td>\n<\/tr>\n
2011<\/td>\nColorado<\/em>, mit Theo Boettger, Galerie Modul 3, Dresden, Germany
\nPositionen zeitgen\u00f6ssischer Gegenwartskunst<\/em>, Villa Eschenbach Dresden, Germany
\nK\u00fcnstlerische Positionen im Hochdruck<\/em>, Museum f\u00fcr Druckkunst, Leipzig, Germany
\nThe Multiple Show 2<\/em>, Vous Etes Ici, Amsterdam, NL<\/td>\n<\/tr>\n
2010<\/td>\nDas versprochene Land, Albertinum Dresden, Germany
\nHouseparty II \u2013 come as you are,<\/em> Galerie Baer, Dresden, Germany
\nSchnittstelle Druck<\/em>, HGB Leipzig und Museum f\u00fcr Bildende K\u00fcnste Leipzig, Germany
\nMainly on papers<\/em>, Galerie Vous etes lci Amsterdam, NL
\nAmnesie<\/em>, Kunsthalle Faust, Hannover, Germany
\nGalerie Maurits van de Laar, with Stan Klamer, The Hague, NLFred Rapid Glassworks<\/em>, Zerofold K\u00f6ln und Autocenter Berlin, Germany<\/td>\n<\/tr>\n
2009<\/td>\nBAUT \u2013 Baut auf Tour<\/em>, Delikatessenhaus Leipzig, Germany
\nThe Multiple Show<\/em>, Vous Etes Ici, Amsterdam, NL
\nSchatzhaus Spendhaus<\/em>!, Spendhaus Reutlingen, Germany
\nNichtorte, Orte<\/em>. Sammlungsausstellung 2009<\/em>, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig, Germany
\nListen to your eyes<\/em>, Galerie f\u00fcr zeitgen\u00f6ssische Kunst, Leipzig, Germany
\nOhne un<\/em>s, Prager Spitze, Dresden, Germany
\nAmnesie<\/em>, Kunstverein, Leipzig, Germany
\nErinnerungsland. The land of memories<\/em>, Galerie BWA, Zielona G\u00f3ra, Poland<\/td>\n<\/tr>\n
2008<\/td>\nCent<\/em>, Galerie Defrost, Paris, France
\nZeitblick. Ank\u00e4ufe aus der Sammlung Zeitgen\u00f6ssischer Kunst der Bundesrepublik Deutschland 1998\u20132008<\/em>, Martin-Gropius-Bau, Berlin, Germany
\nHolzschnitt\/Woodcut<\/em>, Galerie Maurits van de Laar, The Hague, NL
\nSch\u00f6ne neue Welt<\/em>, Institut f\u00fcr Auslandsbeziehungen e.V., Stuttgart und Berlin, GermanyVon Munch bis Beckmann, von Jorn bis Gertsch. 100 Jahre Holzschnitt<\/em>, Kunsthalle Emden, Germany<\/td>\n<\/tr>\n
2007<\/em><\/td>\nWenn der Sonnentau \u2026,<\/em> Erwerbungen des Kunstfonds Sachsen, Residenzschloss, Dresden, Germany
\nI can only see things when I move<\/em>, Kupferstichkabinett Dresden, Germany
\nSoziale Einheit<\/em>, Freunde aktueller Kunst, Zwickau, Germany
\nPlace Makers 2007<\/em>, project space curators without borders, Berlin, GermanySetting up home<\/em>, BWA Galerie Wroclaw, Poland and Motorenhalle Dresden, Germany
\nAbwesenheitsnotizen<\/em>, Museum X, M\u00f6nchengladbach<\/td>\n<\/tr>\n
2006<\/td>\nTinaB<\/em>, The Prague Contemporary Art Festival, Prag, Czechia
\nCross the line<\/em>, Galerie Conrads, D\u00fcsseldorf, Germany
\nBild\/Skulptur,<\/em> Galerie Jette Rudolph, Berlin, Germany
\nDas haben wir alles selbst empfunden<\/em>, Delikatessenhaus, Leipzig, Germany
\nHeile Welt<\/em>, Sammlung Schmidt-Drenhaus, Kupferstichkabinett Dresden, Germany
\nSoziale Einheit<\/em>, Galerie Baer I Raum f\u00fcr aktuelle Kunst, Dresden, Germany
\nZamieszkanie\/sich einrichten<\/em>, BWA Gallery of Contemporary Art, Wroclaw, Poland<\/td>\n<\/tr>\n
2005<\/td>\nProfile,<\/em> Galerie Baer, Dresden, Germany<\/td>\n<\/tr>\n
2004<\/td>\n100 S\u00e4chsische Grafiken<\/em>, Neue S\u00e4chsische Galerie, Chemnitz und S\u00e4chsischer Landtag, Dresden, Germany<\/td>\n<\/tr>\n
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collections<\/h3>\n<\/td>\n<\/tr>\n

<\/td>\nSammlung Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig
\nKunstfonds Sachsen
\nOsts\u00e4chsische Sparkasse
\nDeutsche Bundesbank
\nSt\u00e4dtische Galerie Dresden
\nKupferstich-Kabinett Dresden
\nHolzschnittmuseum Spendhaus Reutlingen
\nSammlung zeitgen\u00f6ssische Kunst der Bundesrepublik Deutschland (Beauftragte der Bundesregierung f\u00fcr Kultur und Medien)
\nMuseum Junge Kunst Frankfurt\/Oder
\nUnternehmensgruppe Theo M\u00fcller GmbH
\nVolksbank Chemnitz
\nGalerie Neue Meister der Staatlichen Kunstsammlungen Dresden
\nZeitgeschichtliches Forum Leipzig
\nStiftung Kunst, Kultur und Bildung der Kreissparkasse Ludwigsburg<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

awards, Grants<\/h3>\n<\/td>\n<\/tr>\n

2013<\/td>\nArbeitsstipendium der Stiftung Kunstfonds<\/td>\n<\/tr>\n
2012<\/td>\nOtto Dix Preis<\/td>\n<\/tr>\n
2008<\/td>\nKunstpreis Holzschnitt heute<\/em>, Stiftung Kunst, Kultur und Bildung der Kreissparkasse Ludwigsburg<\/td>\n<\/tr>\n
2007<\/td>\nArras-Preis f\u00fcr Kunst und Kultur in Dresden<\/td>\n<\/tr>\n
2006<\/td>\nS\u00e4chsisches Landesstipendium<\/td>\n<\/tr>\n
2005<\/td>\nMarion-Ermer-Preis der Marion Ermer Stiftung zur F\u00f6rderung von Kunst und Kultur in Sachsen und Th\u00fcringen<\/td>\n<\/tr>\n
2004<\/td>\nGrafikpreis der Volksbank Chemnitz 1. Stufe
\nHegenbarth-Stipendium der Stiftung Kunst und Kultur der Osts\u00e4chsischen Sparkasse<\/td>\n<\/tr>\n
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[vc_row][vc_column][vc_column_text] Jan Brokof [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tabs interval=”0″ style=”tab-style-three”][vc_tab title=”Introduction” tab_id=”1415107778-1-21b19e-8563e59c-e2f5″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Jan Brokof (1977) was born in former Eastern Germany. In his early work the social environment of his youth with its Plattenbau apartment buildings and the chimneys of the local oilrefinery play a prominent role. He once made a completely three-dimensional reconstruction in woodcut of his…<\/p>\n","protected":false},"author":2,"featured_media":12986,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[],"class_list":["post-7734","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-artist-en","dt_portfolio_category-174","description-off"],"yoast_head":"\nJan Brokof - mauritsvandelaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/artist\/jan-brokof\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jan Brokof - mauritsvandelaar\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] Jan Brokof [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tabs interval=”0″ style=”tab-style-three”][vc_tab title=”Introduction” tab_id=”1415107778-1-21b19e-8563e59c-e2f5″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Jan Brokof (1977) was born in former Eastern Germany. 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