{"id":877,"date":"2020-04-01T16:47:24","date_gmt":"2020-04-01T14:47:24","guid":{"rendered":"http:\/\/galeriemauritsvandelaar.nl\/artist\/robine-clignett-2\/"},"modified":"2022-07-30T13:58:48","modified_gmt":"2022-07-30T11:58:48","slug":"robine-clignett","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/robine-clignett\/","title":{"rendered":"Robine Clignett"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Robine Clignett<\/h1>\n

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\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dca31f-a5ed”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Colour is central in the work of Robine Clignett (1948). In her watercolours Robine Clignett sparingly applies the pigment on the paper with a broad brush to allow the colour to subtly reveal itself. The forms she uses are derived from nature, but are not descriptive;\u00a0the main point is expressing what is to be found behind the direct observation.\u00a0Sometimes the representation reminds you of a landscape, such as an island in the sea or a hill reflected in water. Other works are more abstract, composed of circles lying on a darker background.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]This restrained and quiet work demands concentration of the viewer. Gradually the forms become more intense, and the space between the colour surfaces seems to start shimmering.
\nRobine Clignett also studies the physical, historical and literary context of colour,
\ncollecting facts and textfragments that are compiled in carefully designed publications.
\nOver the years she has published booklets about Falun red, Ultramarine blue, Vineyard black, White lead and Green.<\/p>\n

www.robineclignett.com<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Biography” tab_id=”1440507584491-628a5fac-75f2a31f-a5ed”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1948<\/td>\nThe Hague, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

education<\/h3>\n<\/td>\n<\/tr>\n

1966 – 1967<\/td>\nGerrit Rietveld Academie, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1969 – 1972<\/td>\nKoninklijke Academie van Beeldende Kunsten (KABK) Den Haag, The Hague, The Netherlands<\/td>\n<\/tr>\n
1988 – 2009<\/td>\nprofessor at KABK, The Hague, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nlives and works in The Hague, The Netherlands<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2021<\/td>\nTuna Enda<\/em>, with Elsbeth Ciesluk, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2015<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2009<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2008<\/td>\nGalerie S & H de Buck, Gent, Belgium<\/td>\n<\/tr>\n
2007<\/td>\nMorat, Institut f\u00fcr Kunst und Kunstwissenschaft, Freiburg im Breisgau, Germany<\/td>\n<\/tr>\n
2006<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2004<\/td>\nGalerie S.& H. De Buck, Gent, Belgium<\/td>\n<\/tr>\n
2003<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2002<\/td>\nGalerie Esther Hufschmid, Z\u00fcrich, Switzerland
\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2000<\/td>\nTeekengenootschap Pictura, Dordrecht, NL
\nGalerie S. & H. De Buck, Gent, Belgium<\/td>\n<\/tr>\n
1998<\/td>\nGalerie Esther Hufschmid, Z\u00fcrich, Switzerland<\/td>\n<\/tr>\n
1996<\/td>\nGalerie S. & H. De Buck, Gent, Belgi\u00eb
\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
1995<\/td>\nStichting Collage, Kortenhoef, NL<\/td>\n<\/tr>\n
1993<\/td>\nGalerie S. & H. De Buck, Gent, Belgium<\/td>\n<\/tr>\n
1992<\/td>\nGalerie Garzaniga & Ueker, Basel, Switzerland<\/td>\n<\/tr>\n
1991<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2022<\/td>\nD\u00e9part,<\/em> Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2021<\/td>\nEQUIPE 2, <\/em>Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2019<\/td>\nCouples d’Artistes, <\/em>Galerie S & H de Buck, Gent, Belgium<\/td>\n<\/tr>\n
2018<\/td>\nAbout Desire and Consolation<\/em>, Art Festival Watou, Belgium
\nCrossing Colors<\/em>, Kunsthal 45, Den Helder, NL<\/td>\n<\/tr>\n
2017<\/td>\nScape<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2016<\/td>\nTrack and Trace<\/em>, 25 years Galerie Maurits van de Laar<\/em>, The Hague, NL<\/td>\n<\/tr>\n
2015<\/td>\nNew acquisitions for the collection, Dordrechts Museum, Dordercht, NL
\nWho is Who ?<\/em>, Galerie S & H de Buck, Gent, Belgium
\nAmsterdam Drawing, Galerie Maurits vd Laar, Amsterdam, NL<\/td>\n<\/tr>\n
2013<\/td>\nGalerie Maurits van de Laar, with Nour-Eddine Jarram and Erik Pape, The Hague, NL
\nThe Big Draw<\/em>, Galerie S. & H. de Buck, Gent, Belgium
\nDrawing Cabinet<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2011<\/td>\nTwenty, 20 years Galerie Maurits van de Laar, <\/em>The Hague, NL
\nDie Zeit ist jung<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2010<\/td>\nMiniatures<\/em>, curator: Hermine de Groeve, Municipal Musea, Kortrijk, Belgium<\/td>\n<\/tr>\n
2008<\/td>\nLadenkastproject (Dresserproject)<\/em>, Galerie Phoebus, Rotterdam, NL<\/td>\n<\/tr>\n
2007<\/td>\nSelectie 07<\/em>, Centrum Beeldende Kunst, Dordrecht, NL
\nMiniatures<\/em>, De Boekentoren, Gent, Belgium<\/td>\n<\/tr>\n
2006<\/td>\n1st Shift, 15 years Galerie Maurits van de Laar<\/em>, The Hague, NL<\/td>\n<\/tr>\n
2005<\/td>\nVoorbij de grens (Across the Border), <\/em>De markten, Brussels, Belgium<\/td>\n<\/tr>\n
2004<\/td>\nVoorbij de grens (Across the Border), <\/em>Cultureel Centrum, Hasselt, Belgium
\n Stand van Zaken (State of Affairs), <\/em>Stroom Den Haag, The Hague, NL
\n Eclipse, <\/em>Bornem, Belgium
\n 30 years Galerie Esther Hufschmid<\/em>, Z\u00fcrich, Switzerland
\nVoorbij de grens (Across the Border), <\/em>Museum van Deinze en de Leiestreek, Belgium<\/td>\n<\/tr>\n
2003<\/td>\nVoorbij de grens (Across the Border<\/em>), de Brakke Grond, Amsterdam, NL<\/td>\n<\/tr>\n
2001<\/td>\nDe verzamelaar in het atelier 1,<\/em> 10 years Galerie Maurits van de Laar, The Hague, NL
\nSummershow<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2000<\/td>\nMelancholia<\/em>, Galerie S. & H. De Buck, Gent, Belgium
\nHommage to Peter Kneub\u00fchler<\/em>, Kunsthaus Grenchen, Grenchen, Switzerland
\nInkeer (repentance)<\/em>, Stichting Collage, Kortenhoef, NL
\nLaboratorium E.V.<\/em>, Praterinsel, M\u00fcnchen, Germany<\/td>\n<\/tr>\n
1999<\/td>\nTry out<\/em>, Stroom HCBK, The Hague, NL<\/td>\n<\/tr>\n
1998<\/td>\nBiblioth\u00e8que universitaire Moretus Plantin, Namen, Belgium<\/td>\n<\/tr>\n
1997<\/td>\nNooit zag ik Awater van zo dichtbij<\/em>, St. Collage, Kortenhoef, NL
\nDe tuin, het atelier (The Garden, The Studio)<\/em>, Hortus Botanicus, Leiden, NL
\nTekeningen (Drawings)<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
1995<\/td>\nGalerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
1994<\/td>\nStichting Collage, Kortenhoef, NL
\n\u00c9quipe<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
1992<\/td>\nTekeningen (Drawings)<\/em>, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
1991<\/td>\n7 teachers of the KABK<\/em>, Art Propos, The Hague, NL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] Robine Clignett [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dca31f-a5ed”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]Colour is central in the work of Robine Clignett (1948). In her watercolours Robine Clignett sparingly applies the pigment on the paper with a broad brush to allow the colour to subtly reveal itself. The forms she uses are derived from nature,…<\/p>\n","protected":false},"author":2,"featured_media":3515,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[],"class_list":["post-877","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-artist-en","dt_portfolio_category-174","description-off"],"yoast_head":"\nRobine Clignett - mauritsvandelaar<\/title>\n<meta name=\"description\" content=\"Colour is central in the work of Robine Clignett (1948). 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