{"id":965,"date":"2021-01-01T16:48:53","date_gmt":"2021-01-01T15:48:53","guid":{"rendered":"http:\/\/galeriemauritsvandelaar.nl\/artist\/christie-van-der-haak-2\/"},"modified":"2025-05-28T19:31:55","modified_gmt":"2025-05-28T17:31:55","slug":"christie-van-der-haak","status":"publish","type":"dt_portfolio","link":"https:\/\/mauritsvandelaar.nl\/en\/artist\/christie-van-der-haak\/","title":{"rendered":"Christie van der Haak"},"content":{"rendered":"

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Christie van der Haak<\/h1>\n

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\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc3702-1c2a”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]In the 1980s Christie van der Haak (1950) established her name as an artist with paintings of madonnas, which she partly covered with ornamental shapes. The ornament has been a constant in her work ever since. Around 2003, Christie van der Haak gradually switched from painting to designing textile patterns. First she used fragments from her paintings and then started to design specific patterns that she applies in autonomous works of art as gobelins and carpets but also as furniture upholstering and wall coverings. The design consists of a drawing on paper in A4 format that is mirrored up and to the side in the computer and consequently filled in with color. By changing the colors yhe same motif can change from calm to strongly expressive in your experience.<\/p>\n

Christie van der Haak has carried out various assignments in recent years. In 2007 she upholstered the furniture of the Grand H\u00f4tel Amr\u00e2th in the former Scheepvaarthuis in Amsterdam. Her fabrics make a perfect match with the Amsterdam School style of the building. She also designed fabric for the Dutch Textile Museum Tilburg for a twenty-five-meter-long bench by Piet Hein Eek. Later she cooperated with him to cover his \u2018Jufferbank\u2019 (damsel bench). More recently, her fabrics were used in the reception hall of the head office of the ING Bank Leeuwarden.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=””]Christie van de Haak exhibited in museums in the Netherlands and abroad. At the Gemeentemuseum Den Haag her fabrics were combined with white Delft porcelain in the exhibition Delfts Wit<\/em> in 2013. Here she also conceived and built the spectacular installation Sproken\/Fairy Tales<\/em> on the occasion of her winning the Ouborg Prize, an oeuvre award for The Hague artists.<\/p>\n

In 2015, the Wolfsonian Museum in Miami commissioned her as the first living artist to do a project, as a contemporary component to the exhibition Modern Dutch Design<\/em>, devoted to Dutch Jugendstil, Art Nouveau and the Amsterdamse School. In the project entitled MORE IS MORE<\/em>, the facade and entrance hall of the museum were covered with her patterns.<\/p>\n

More recently she exhibited in the Textile Museum Tilburg, the Dutch Glass Museum, Stadsmuseum Woerden, Museum de Lakenhal Leiden and Schunck Heerlen. In 2019 she had a solo exhibition titled Empress Maria of Brabant<\/em>‘ at Kasteel Helmond, The installation with wall and floorcoverings, furniture, glass and fabrics focuses on the life of medieval Maria of Brabant (1189 \u2013 1260), who played an important role in the culture and politics of her age. She also participated in Chapter 3hree<\/em> curated by Maarten Spruyt in the HEM Zaandam.<\/p>\n

www.christievanderhaak.nl\u00a0<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Biography” tab_id=”1440507584491-628a5fac-75f23702-1c2a”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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1950<\/td>\nborn in The Hague, The Netherlands<\/td>\n<\/tr>\n
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education<\/h3>\n<\/td>\n<\/tr>\n

1968-1972<\/td>\nRoyal Academy for Visual Arts, The Hague,The Netherlands<\/td>\n<\/tr>\n
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<\/td>\nlives and works in The Hague,The Netherlands<\/td>\n<\/tr>\n
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solo exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2021<\/td>\nNouveau Deco<\/em>, Stedelijk Museum Kampen, NL<\/td>\n<\/tr>\n
2019<\/td>\nEmpress Maria of Brabant, <\/em>Kasteel Helmond, The Netherlands
\nKniesper, Knasper, Knusper, <\/em>Schunck, Heerlen, The Netherlands<\/td>\n<\/tr>\n
2017<\/td>\nDutch Design<\/em>, Villa Mondriaan, Winterswijk<\/td>\n<\/tr>\n
2016<\/td>\nMore is More<\/em>, Wolfsonian Museum, Miami, USA
\nQuest<\/em>, Concordia Enschede, The Netherlands<\/td>\n<\/tr>\n
2015<\/td>\nEnchanted, <\/em>Galerie Maurits van de Laar, The Hague, The Netherlands
\nFairy Tales<\/em>, exhibition accompanying the Oubog Award, Gemeentemuseum Den Haag, The Hague, The Netherlands
\nChristie van der Haak<\/em> (with Geert Lap), Galerie Vivid, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
2014<\/td>\nStunned<\/em>, with Suzan Drummen, Galerie Maurits van de Laar, The Hague, NL<\/td>\n<\/tr>\n
2013<\/td>\nDelft White<\/em>, Gemeentemuseum Den Haag, The Hague, The Netherlands
\nHeden, The Hague, The Netherlands<\/td>\n<\/tr>\n
2012<\/td>\nBlason, <\/em>Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2010<\/td>\nGalerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2009<\/td>\nOcean, <\/em>Maliebeeld, The Hague, The Netherlands
\nFabric, <\/em>Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2007<\/td>\nLacrymae<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2005<\/td>\nBlumenzweige<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands
\nLa Si\u00e8ge Perilou<\/em>, Galerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2002<\/td>\nOsmose<\/em>, Galerie Suzanne Biederberg, Amsterdam, The Netherlands
\nMemorabilia<\/em>, Stroom HCBK, The Hague, The Netherlands<\/td>\n<\/tr>\n
2001<\/td>\nJauchzend betr\u00fcbt<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2000<\/td>\nSBK, Bickerseiland, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1999<\/td>\nUnknown Heavens<\/em>, Galerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1998<\/td>\nSBK, KNSM-eiland, Amsterdam, The Netherlands
\nCeramic Millennium<\/em>, KunstRAI, Galerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1997<\/td>\nC’est mourir un peu, <\/em>Galerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1996<\/td>\nHCAK, The Hague, The Netherlands
\nKunstRAI, Galerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1994<\/td>\nLacrymosa<\/em>, Galerie Suzanne Biederberg, Amsterdam, The Netherlands
\nOosterpoort, Groningen, The Netherlands
\nKunstzaal Hengelo, The Netherlands<\/td>\n<\/tr>\n
1993<\/td>\nGalerie Van den Berge, Goes, The Netherlands<\/td>\n<\/tr>\n
1992<\/td>\nEn suite<\/em>, HCAK, The Hague, The Netherlands
\nGalerie Van Rijsbergen, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
1991<\/td>\nIch habe deinen Mund gek\u00fcsst<\/em>, De Beyerd, Breda, The Netherlands
\nGalerie Van Rijsbergen, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
1990<\/td>\nGalerie Stelling, Leiden, The Netherlands
\nGalerie Van Rijsbergen, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
1989<\/td>\nGalerie Van Rijsbergen, Rotterdam, The Netherlands
\nGalerie Van Esch, Eindhoven, The Netherlands<\/td>\n<\/tr>\n
1987-1988<\/td>\nGalerie Van Esch, Eindhoven, The Netherlands<\/td>\n<\/tr>\n
1985<\/td>\nLa cause de notre joie<\/em>, Van Abbemuseum, Eindhoven, The Netherlands<\/td>\n<\/tr>\n
1984<\/td>\nMarkt 17, Enschede, The Netherlands
\nGalerie Swart, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1983<\/td>\nGalerie Swart, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1979-1992<\/td>\nHCAK (The Hague Centre for Contemporary Art), The Hague, The Netherlands<\/td>\n<\/tr>\n
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group exhibitions<\/h3>\n<\/td>\n<\/tr>\n

2021<\/td>\nEQUIPE 1,\u00a0<\/em>30 year anniversary Galerie Maurits van de Laar, Den Haag, NL<\/td>\n<\/tr>\n
2020<\/td>\nChapter 3hree, <\/em>curated by Maarten Spruyt, HEM, Zaandam,<\/em> The Netherlands
\nDifferent than Usual<\/em>, Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2018<\/td>\nArt Deco in Glass, <\/em>National Glassmuseum Leerdam, The Netherlands
\nOnce Upon a Time…, <\/em>with Suzan Drummen, Museum Escher in het Paleis The Hague, The Netherlands<\/td>\n<\/tr>\n
2017<\/td>\nBig Art, <\/em>Galerie Maurits van de Laar, De Zonnewyser, Amsterdam, The Netherlands
\nAmsterdam Art Fair 2017, <\/em>with Elmar Trenkwalder, Galerie Maurits van de Laar, The Netherlands
\nPaint it Soft, <\/em>Schunck, Heerlen, The Netherlands
\nKunststof 2017, 5 leading textile artists<\/em>, Municipal Museum Woerden, The Netherlands<\/td>\n<\/tr>\n
2016<\/td>\nDesign Miami, Basel, <\/em>Galerie Vivid, Miami, USA
\nTrack & Trace I and II, 25 years Galerie Maurits van de Laar, <\/em> The Hague, The Netherlands
\nDesign Miami, Basel, <\/em>Galerie Vivid, Basel, Switzerland
\nBal, <\/em>Paleis Soestdijk, The Netherlands
\nSwitch, Dutch Design on the Move, <\/em>Textielmuseum, Tilburg, The Netherlands
\nArt Rotterdam<\/em>, Galerie Vivid, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
2015<\/td>\nDesign Miami, Basel, <\/em>Galerie Vivid, Miami, USA
\nArte Concordia 2015, Avenue Concordia, Rotterdam, The Netherlands
\nDesign Miami, Basel, <\/em>Galerie Vivid, Basel, Switzerland
\nHeden Haagse Lente, <\/em>Atrium Town Hall, The Hague, The Netherlands<\/td>\n<\/tr>\n
2014<\/td>\n7 Centuries of Leiden Cloth<\/em>, Museum De Lakenhal, Leiden, The Netherlands
\nPainting Adrift, <\/em>Stedelijk Museum Schiedam, The Netherlands<\/td>\n<\/tr>\n
2013<\/td>\nA Sea of Glass,<\/em> Nationaal Glasmuseum Leerdam, The Netherlands
\nCollection Hugo and Carla Brown, <\/em>Kasteel de Keukenhof, Lisse, The Netherlands
\n<\/em>Drawing Cabinet, <\/em>Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2012<\/td>\nEn Suite, <\/em>JCA de KOK, The Hague, The Netherlands
\nDutch Design, <\/em>Schloss Oranienbaum, Germany<\/td>\n<\/tr>\n
2011<\/td>\nTwenty, 20 years Galerie Maurits van de Laar<\/em>, The Hague, The Netherlands<\/td>\n<\/tr>\n
2010<\/td>\n6 x 6 artists<\/em>, Maliebeeld, The Hague, The Netherlands<\/td>\n<\/tr>\n
2009<\/td>\nThe Unexpected<\/em>, ceramics in modern and contemporary art, Municipas Museum Den Bosch, The Netherlands<\/td>\n<\/tr>\n
2008<\/td>\nFrom Labyrinth to Big Mama<\/em>, Audax, Textilemuseum, Tilburg, The Netherlands<\/td>\n<\/tr>\n
2007<\/td>\nContour – Continuity, present and past<\/em>, 111 artists in Delft Museums, Delft, The Netherlands<\/td>\n<\/tr>\n
2006<\/td>\nA stitch in time….a fashion odyssey<\/em>, Galerie Suzanne Biederberg, Amsterdam, The Netherlands
\n2nd Shift<\/em>, 15 years Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2005<\/td>\nColour Fair,<\/em> Sikkens Foundation, Beurs van Berlage, Amsterdam, The Netherlands
\nColoured Design<\/em>, Aalst, Belgium
\nGalerie Maurits van de Laar (with Erik Pape), The Hague, The Netherlands<\/td>\n<\/tr>\n
2004<\/td>\nNature<\/em>, Haagse Kunstkring, The Hague, The Netherlands
\nConnections,<\/em> with Diederik Gerlach, Martin Assig, Elizabeth de Vaal, Gamal Ez, Gezira Art Center, Ca\u00efro, Egypt
\nKunst-RAI<\/em>, Galerie Suzanne Biederberg, Amsterdam, The Netherlands
\nMelbourne Art Fair<\/em>, Galerie Suzanne Biederberg, Australia
\nMade in Tilburg<\/em>, Audax, Textilemuseum, Tilburg, The Netherlands
\nLink 20 years<\/em>, Maliebeeld, The Hague, The Netherlands<\/td>\n<\/tr>\n
2003<\/td>\nKunst-RAI<\/em>, Galerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
2002<\/td>\nAn anatomical dream<\/em>, Stroom HCBK, The Hague, The Netherlands
\nArt without Church<\/em>, Museum voor religious art, Uden, The Netherlands<\/td>\n<\/tr>\n
2001<\/td>\nThe Collector in the Studio 1<\/em>, 10 years Galerie Maurits van de Laar, The Hague, The Netherlands<\/td>\n<\/tr>\n
2000<\/td>\nThe Big Stream II<\/em>, \u2018Safra Harvest’, Arte Cont. da Holanda, Evora en Centro Cultural de Cascais, Portugal<\/td>\n<\/tr>\n
1999<\/td>\nGalerie Lola Nikolaou, Thessaloniki, Greece
\nThe Big Stream I<\/em>, ceramic works at the Binnen Dieze, Museum Het Kruihuis, Den Bosch, The Netherlands
\nArt Artina<\/em>, Athens, Greece
\nGalerie Suzanne Biederberg, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1998<\/td>\nWhat’s the weather like in The Hague?<\/em> Stroom, The Hague, The Netherlands
\nArtina, <\/em>Galerie Suzanne Biederberg, Athens, Greece<\/td>\n<\/tr>\n
1997<\/td>\nStatengalerie, The Hague, The Netherlands<\/td>\n<\/tr>\n
1996<\/td>\nKiteproject<\/em>, Museum Het Kruithuis, Den Bosch, The Netherlands
\nNorwich Gallery, Norwich, United Kingdom
\nMuseu Regional, Evora, Portugal
\nFrom Ouborg to Akkerman<\/em>, Dutch masters from the Municipal Collection, Haags Gemeentemuseum, The Hague, The Netherlands<\/td>\n<\/tr>\n
1993<\/td>\nGalerie In Situ, Aalst, Belgium
\nMunicipal Collection, Haags Gemeentemuseum, The Hague, The Netherlands
\nGalerie Metis, Amsterdam, The Netherlands<\/td>\n<\/tr>\n
1992<\/td>\nThe Resurrection<\/em>, De Zonnehof, Amersfoort, The Netherlands
\nPalau Pedralbes, Museum for ceramics, Barcelona, Spain<\/td>\n<\/tr>\n
1991<\/td>\nBrutto Gusto, Rotterdam, The Netherlands
\nExpoHenk, Rotterdam, The Netherlands<\/td>\n<\/tr>\n
1989<\/td>\nPurchases for the Dutch State’s Collection<\/em>, The Hague, The Netherlands
\nNew Purchases, <\/em>Gemeentemuseum, Arnhem, The Netherlands<\/td>\n<\/tr>\n
1988<\/td>\nDe Boterhal, Hoorn, The Netherlands<\/td>\n<\/tr>\n
1986<\/td>\nFocus on The Hague<\/em>, Haags Gemeentemuseum, The Hague, The Netherlands<\/td>\n<\/tr>\n
1985<\/td>\nKunstmesse Forum<\/em>, Galerie Swart, Z\u00fcrich, Switzerland<\/td>\n<\/tr>\n
1984<\/td>\nQuality Described and Undescribed<\/em>, Haags Gemeentemuseum, The Hague, NL<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\n

awards<\/h3>\n<\/td>\n<\/tr>\n

2015<\/td>\nOuborg Award<\/td>\n<\/tr>\n
2012<\/td>\nHeden, lifetime award<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
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publications<\/h3>\n<\/td>\n<\/tr>\n

2021<\/td>\nCelebrating Patterns, <\/em>graphic design Studio Renate Boere, Jap Sam Books, NL<\/td>\n<\/tr>\n
2015<\/td>\nFairy Tales<\/em>, Stroom Den Haag & Jap Sam Books, NL<\/td>\n<\/tr>\n
2012<\/td>\nEverything has a Soul,<\/em> Heden Den Haag, NL<\/td>\n<\/tr>\n
1991<\/td>\nIch habe deinen Mund gek\u00fcsst, <\/em>Museum De Beyers, Breda, NL<\/td>\n<\/tr>\n
1990<\/td>\nStruggle, <\/em>Galerie Van Rijsbergen, Rotterdam, NL<\/td>\n<\/tr>\n
1985<\/td>\nLa Cause de Notre Joie, <\/em>Van Abbemuseum, Eindhoven, NL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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[vc_row][vc_column][vc_column_text] Christie van der Haak [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row type=”5″ animation=”fadeInUp” margin_top=”32″][vc_column][vc_tta_tabs color=”white” spacing=”” active_section=”1″ no_fill_content_area=”true”][vc_tta_section title=”Introduction” tab_id=”1440507584245-5ee45767-88dc3702-1c2a”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]In the 1980s Christie van der Haak (1950) established her name as an artist with paintings of madonnas, which she partly covered with ornamental shapes. The ornament has been a constant in her work ever since. Around 2003, Christie van…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[174],"dt_portfolio_tags":[],"class_list":["post-965","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-artist-en","dt_portfolio_category-174","description-off"],"yoast_head":"\nChristie van der Haak - mauritsvandelaar<\/title>\n<meta name=\"description\" content=\"Christie van der Haak. Dutch artist first a painter then designer of patterns for furniture fabrics, wall tapestries and wallpaper. Symmetrical shapes related to Art Deco. 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