








\nIn the exhibition Charlotte Schleiffert shows a series of medium sized smaller nature drawings that now and then include references to art history. Also shown are two large works on paper, one featuring a woman with a bird\u2019s head, and one featuring a costume built up from sea animals and plastic waste: an almost animistic contemporary approach to our relationship with nature. Apart from a series of portraits and new animations Susanna Inglada shows a large work on paper that is built up from a jumble of hands and arms. Here the groping hands from Bernini\u2019s sculptures The Rape of Proserpina<\/em> or Apollo and Daphne<\/em> at the Villa Borghese do not seem to be far off.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”18px”]







Charlotte Schleiffert (1967) and Susanna Inglada (1983) had a residency abroad that gave their work a new impulse. In 2019 Charlotte Schleiffert made a series of drawings in Paris parks, nature thus takes center stage in her work. During the past months, Susanna Inglada stayed in Rome directly before and during lockdown, where she studied the classics and baroque art.<\/p>\n","protected":false},"author":2,"featured_media":17561,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[807],"tags":[851,580],"class_list":["post-17605","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-2020","tag-charlotte-schleiffert-en","tag-susanna-inglada-en","category-807","description-off"],"yoast_head":"\n