{"id":2040,"date":"2015-02-22T13:33:34","date_gmt":"2015-02-22T12:33:34","guid":{"rendered":"http:\/\/galeriemauritsvandelaar.nl\/marjolijn-van-der-meij-ronald-versloot-2\/"},"modified":"2018-07-03T17:49:50","modified_gmt":"2018-07-03T15:49:50","slug":"marjolijn-van-der-meij-ronald-versloot","status":"publish","type":"post","link":"https:\/\/mauritsvandelaar.nl\/en\/marjolijn-van-der-meij-ronald-versloot\/","title":{"rendered":"Marjolijn van der Meij, Ronald Versloot"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text]<\/p>\n<h2>Marjolijn van der Meij, Roland Versloot<\/h2>\n<h3>work on paper, paintings<\/h3>\n<h5><strong>22 February &#8211; 22 March 2015<br \/>\n<\/strong><\/h5>\n<p>[\/vc_column_text]<div class=\"gap\" style=\"line-height: 30px; height: 30px;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;]<div class=\"gap\" style=\"line-height: 10px; height: 10px;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<strong>Marjolijn van der Meij <\/strong>(1970) draws landscapes in which she places people originating from a different context. In doing so, she questions their mutual relationships and their connection to their surroundings. Recently, she took a new step in the development of her work when she folded and creased a large charcoal drawing of a waterfall to realize a three-dimensional effect.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Subsequently she started applying this method to photographs of movie stars, album covers with rock artists and postcards with buildings and landscapes; items she has been collecting for years. By creasing the images, they are distorted, but are also given a new intensity and focus. At the same time this causes a sense of disorientation, forcing us to reconsider our relationship with our everyday surroundings, society and the memories and associations evoked by the photographs.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;]<div class=\"gap\" style=\"line-height: 30px; height: 30px;\"><\/div><div class=\"gap\" style=\"line-height: 10px; height: 10px;\"><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<strong>Ronald Versloot<\/strong> (1965) also interferes with the image by painting new depictions on top of old works. In the work <em>Slide<\/em> the contours of a woman sitting are, like a ghostly apparition, still visible in the new work. At the edges the earlier painting still remains intact, making it appear as if the new depiction is projected on it like a slide.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]With this, Versloot demonstrates that all realities can be ignored or rewritten. This ambiguity is enforced by the lino-cut characters that are printed on the painted image like actors on a stage, making us question what is \u2018real\u2019: the printed characters or their painted surroundings?[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>22 febr &#8211; 22 mrt 2015<\/p>\n","protected":false},"author":2,"featured_media":11381,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[103],"tags":[108,109],"class_list":["post-2040","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-2015","tag-marjolijn-van-der-meij-en","tag-ronald-versloot-en","category-103","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Marjolijn van der Meij, Ronald Versloot - 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