{"id":20595,"date":"2022-05-28T20:12:26","date_gmt":"2022-05-28T18:12:26","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/randstucke-und-gegenstucke\/"},"modified":"2022-07-09T20:34:24","modified_gmt":"2022-07-09T18:34:24","slug":"randstucke-und-zwischenstucke","status":"publish","type":"post","link":"https:\/\/mauritsvandelaar.nl\/en\/randstucke-und-zwischenstucke\/","title":{"rendered":"Randst\u00fccke und Zwischenst\u00fccke"},"content":{"rendered":"

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Randst\u00fccke und Zwischenst\u00fccke<\/em><\/h2>\n

Andrea Freckmann, Dodo Albrecht<\/strong><\/h2>\n

paintings, sculptures<\/h3>\n

29-05 through\u00a0<\/strong>03-07-2022<\/strong><\/h5>\n
1 – 3\u00a0 July The Hague Contemporary Art Weekend, click here for program<\/a>
\n<\/em><\/strong>Sunday 3 July finissage from 13:00 – 17:00 h, the artists are present<\/h5>\n

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<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Andrea Freckmann<\/strong> (1970) invited Dodo Albrecht<\/strong> (1972) to join her in an exhibition after recognizing a similar attitude in Albrecht’s ceramics and her own paintings. The freedom with which Freckmann depicts the perspective and proportions of interiors and objects, is comparable to the unruly way in which Albrecht designs her ceramic vases. They are for instance only partly glazed or built up with clay rolls that are put together vertically against each other instead of horizontally. In essence, they are independent sculptures that retain an echo of the everyday, practical vase. Their genuine and rudimentary form emulates the objects in Andrea Freckmann\u2019s interior paintings. The recent lockdowns have intensified Andrea Freckmann\u2019s focus towards depicting the interior and domestic objects.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]The larger paintings portray a room in its entirety, while the Randst\u00fccke<\/em> and Zwischenst\u00fccke<\/em> (side pieces and in between pieces) are smaller canvases that highlight specific objects and birds featured in the large paintings. They hang like satellites in the exhibition, yet not necessarily placed directly next to the work from which they derive. The viewers are thus invited to develop visual connections themselves.\u00a0Dodo Albrecht\u2019s vases are exhibited in open wooden racks resembling those Freckmann has at home. This display brings together the physical configuration of her own house, its painterly depiction, and Albrecht\u2019s sculptural work, in a kind of meta-interior in which reality and its representation move around each other.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”20px”]
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The freedom with which Andrea Freckmann depicts the perspective and proportions of interiors and objects, is comparable to the unruly way in which Dodo Albrecht designs her ceramic vases.<\/p>\n","protected":false},"author":2,"featured_media":20562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[946,1016],"tags":[113,976],"class_list":["post-20595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-2022","category-expositie-2022-en","tag-andrea-freckmann-en","tag-dodo-albrecht-en","category-946","category-1016","description-off"],"yoast_head":"\nRandst\u00fccke und Zwischenst\u00fccke - mauritsvandelaar<\/title>\n<meta name=\"description\" content=\"The freedom with which Freckmann depicts the perspective and proportions of interiors and objects, is comparable to the unruly way in which Albrecht designs her ceramic vases.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/randstucke-und-zwischenstucke\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Randst\u00fccke und Zwischenst\u00fccke - 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