{"id":23798,"date":"2023-10-12T12:34:03","date_gmt":"2023-10-12T10:34:03","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/?p=23798"},"modified":"2023-12-15T11:37:30","modified_gmt":"2023-12-15T10:37:30","slug":"our-spectral-gardens-janice-mc-nab-frank-van-den-broeck","status":"publish","type":"post","link":"https:\/\/mauritsvandelaar.nl\/en\/our-spectral-gardens-janice-mc-nab-frank-van-den-broeck\/","title":{"rendered":"Our Spectral Gardens – Janice McNab, Frank Van den Broeck"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content” gap=”30″ full_height=”yes” equal_height=”yes” content_placement=”middle” seperator_enable=”seperator_enable_value” icon_type=”selector” icon=”icomoon-the7-font-the7-arrow-01″ css=”.vc_custom_1673367505724{margin-top: -20px !important;}”][vc_column width=”1\/2″][vc_single_image image=”23714″ img_size=”large” add_caption=”yes” onclick=”link_image” css=”.vc_custom_1697206413534{margin-bottom: 30px !important;}”][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Now:<\/h2>\n

Our Spectral Gardens<\/strong><\/h2>\n

Janice McNab
\n<\/strong><\/h2>\n

paintings<\/h3>\n

Frank Van den Broeck <\/strong><\/h2>\n

sculptures, drawings<\/h3>\n

12-10 through 05-11-2023<\/strong>[\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”30″][vc_column][vc_separator]

\n
\n\n\t
\n\t\"Janice<\/a>\t\t
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Janice McNab<\/strong>, The Fall<\/em>, 2023, oilpaint on linen, 70 x 120 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"Janice<\/a>\t\t
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Janice McNab<\/strong>, Agony in the Garden<\/em>, 2022, oilpaint on linen, 120 x 165 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Janice<\/a>\t\t
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Janice McNab<\/strong>, The Rift Valley<\/em>, 2022, oilpaint on linen, 120 x 165 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

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\n\t\"Janice<\/a>\t\t
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Janice McNab<\/strong>, The Shadow of an Animal in the Rain<\/em>, 2023, oilpaint on linen, 70 x 70 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Janice<\/a>\t\t
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Janice McNab<\/strong>, The Shadow of Birds<\/em>, 2022, oilpaint on linen, 120 x 165 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”30″ css=”.vc_custom_1673367463345{padding-top: 30px !important;}” el_id=”verder”][vc_column width=”1\/2″ el_class=”right-home-list”][vc_column_text]Our Spectral Gardens<\/em> presents a new series of paintings by Scottish artist Janice McNab (<\/strong>1964). These futuristic landscapes are based on the design of a scarf that belonged to the artist\u2019s mother. Its 1950\u2019s floral patterns have been transformed into painted hills of silk inhabited only by bodies drawn as aloe vera leaves pierced with cocktail sticks. The animals and birds that can be seen in some works are really the painted shadows of the artist\u2019s own hands. Like ghost images, they point to the ecological issues of our time and our distorted relationship with nature. These spectres weave through the patterns of the past as ecological anxieties, but the artist\u2019s choice to explore this through the personal motif of the scarf has resulted in paintings that also push for joy through these fractured vistas.<\/p>\n

Our Spectral Gardens<\/em> is an outcome of the artist\u2019s research into The Ten Largest Paintings <\/em>(1907) by the pioneer of abstract painting Hilma af Klint (1862-1944). McNab traces the previously unknown influence of historic Swedish folk textiles within this now famous work, finding traces of embroidered plant designs in af Klint\u2019s paintings \u2013 nature was at the heart of af Klint\u2019s artistic journey and desire to understand the forces behind life on earth. Janice McNab\u2019s Our Spectral Gardens<\/em> also have their roots in an inherited fabric and bring this historical research into the artist\u2019s studio and into the present.<\/p>\n

Janice McNab obtained her PhD from the Amsterdam School for Cultural Analysis at the University of Amsterdam. Her study on Hilma af Klint is included in the catalogue to the exhibition Hilma af Klint & Piet Mondrian: Forms of Life<\/em>, formerly on view at the Tate Modern and from 7 October 2023 to 25 February 2024 at the Kunstmuseum Den Haag. More info at www.kunstmuseum.nl<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Frank Van den Broeck<\/strong> (1950) exhibits sculptures, drawings and photographs in Fire and Fiction<\/em>, now on show at Museum Beelden aan Zee, Scheveningen. Van den Broeck, draughtsman par excellence, gradually came to sculpture around 1998 through the scratches and nicks that were accidentally formed in the process of drawing. He perceived the nicks in the paper as incisions, making him aware of the possibility to explore the spatial and sculptural.<\/p>\n

This resulted in small sculptures in clay in which the figuration gradually emerges, similar to his drawings in which forms and figures tend to reveal themselves gradually. In his earliest sculptures, the artist’s hand is often explicitly present as a claw or a fist that can transform into a face or a head.\u00a0\u00a0\u00a0 In 2015 the Centraal Museum Utrecht purchased several of his sculptures and, with support by the Mondriaan Fund, granted him the opportunity to further develop his spatial work. The gallery is now exhibiting sculptures in clay and bronze along with drawings that give context to the sculptures.<\/p>\n

Fire and Fiction<\/em> is on show until 22 October at Museum Beelden aan Zee.
\nmore info at www.beeldenaanzee.nl<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”30″][vc_column]

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\n\t\"Frank<\/a>\t\t
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Frank Van den Broeck<\/strong>, no title (serie No Fine Excuse<\/em>), 2017-2018, bronze, edition of 3, 8 x 23 x 12 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

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\n\t\"Frank<\/a>\t\t
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Frank Van den Broeck<\/strong>, no title, 2016-2017, (colour) pencil on paper, 32 x 36 cm <\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Frank<\/a>\t\t
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Frank Van den Broeck<\/strong>, no title (serie No Fine Excuse<\/em>), 2017-2018, bronze, edition of 3, 11 x 11 x 15 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Frank<\/a>\t\t
\n\t\t\t\t\t\t
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Frank Van den Broeck<\/strong>, no title, 2020-2023, (colour) pencil on paper, 32 x 24 cm <\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Frank<\/a>\t\t
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Frank Van den Broeck<\/strong>, no title (serie No Fine Excuse<\/em>), 2017-2018, bronze, edition of 3, 30 x 16 x 30 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Frank<\/a>\t\t
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Frank Van den Broeck<\/strong>, no title, 2020-2023, (colour) pencil on paper, 38 x 32 cm <\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Frank<\/a>\t\t
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Frank Van den Broeck<\/strong>, no title (serie No Fine Excuse<\/em>), 2018, chamotte, edition of 3, 7 x 13 x 15 cm<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n\n

\n\n\t
\n\t\"Frank<\/a>\t\t
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Frank Van den Broeck<\/strong>, no title, 2020-2023, pencil ink on paper, 48 x 32 cm <\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Our Spectral Gardens – Janice McNab: paintings, Frank Van den Broeck: sculptures, drawings<\/p>\n","protected":false},"author":2,"featured_media":23715,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1030],"tags":[252,1066],"yoast_head":"\nOur Spectral Gardens - Janice McNab, Frank Van den Broeck - mauritsvandelaar<\/title>\n<meta name=\"description\" content=\"Janice McNab's (1964) Our Spectral Gardens is a new series of paintings that show futuristic landscapes based on the floral patterns of a scarf from the 1950's that belonged to the artist\u2019s mother. 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