{"id":31142,"date":"2026-06-28T15:10:23","date_gmt":"2026-06-28T13:10:23","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/?p=31142"},"modified":"2026-06-28T15:12:47","modified_gmt":"2026-06-28T13:12:47","slug":"marcel-van-eeden-at-museum-fur-neue-kunst-freiburg","status":"publish","type":"post","link":"https:\/\/mauritsvandelaar.nl\/en\/marcel-van-eeden-at-museum-fur-neue-kunst-freiburg\/","title":{"rendered":"Marcel van Eeden at Museum f\u00fcr neue Kunst Freiburg"},"content":{"rendered":"
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Marcel van Eeden<\/strong> (1965) has an exhibition titled 6. August 1870<\/em> at the Museum f\u00fcr Neue Kunst in Freiburg (housed in the Augustiner Museum\u2019s Haus der graphischen Sammlung). Point of departure of the exhibition is the story of Abdel Kader Ben Lahcen, a North African soldier who died in the Franco-Prussian War in 1870. It features six series comprising a total of 70 photograhic works by Van Eeden, alongside archival texts that highlight the interconnections between nationalism, colonialism, and racism. To develop the project, Van Eeden conducted research in archives across Germany, France, Tunisia, and Algeria. Students from the Karlsruhe Academy of Fine Arts\u2014where Van Eeden serves as both director and professor\u2014are responding to the cycle with their own work, while French-Algerian writer Xavier le Clerc has contributed a text to accompany the exhibition.<\/p>\n The project at the Museum f\u00fcr Neue Kunst was realized in collaboration with the University of Freiburg.<\/p>\n 27 June through 18 October 2026<\/p>\n Augustiner Museum\/Museum f\u00fcr Neue Kunst
\nHaus der Graphischen Sammlung, Salzstra\u00dfe 32, 79098 Freiburg, Germany<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n