{"id":31179,"date":"2026-06-17T11:39:49","date_gmt":"2026-06-17T09:39:49","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/?p=31179"},"modified":"2026-06-17T12:34:47","modified_gmt":"2026-06-17T10:34:47","slug":"summer-group-exhibition-satansbraten","status":"publish","type":"post","link":"https:\/\/mauritsvandelaar.nl\/en\/summer-group-exhibition-satansbraten\/","title":{"rendered":"SATANSBRATEN"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content” gap=”30″ full_height=”yes” equal_height=”yes” content_placement=”middle” seperator_enable=”seperator_enable_value” icon_type=”selector” icon=”icomoon-the7-font-the7-arrow-01″ css=”.vc_custom_1721137048034{margin-top: -20px !important;}”][vc_column width=”1\/2″][vc_single_image image=”31183″ img_size=”full” add_caption=”yes” onclick=”link_image” css=”.vc_custom_1781689005854{margin-bottom: 30px !important;}”][\/vc_column][vc_column width=”1\/2″][vc_column_text css=””]<\/p>\n

<\/h3>\n

<\/h2>\n

SATANSBRATEN<\/h2>\n

curator Sebastiaan Schlicher<\/p>\n

 <\/p>\n

drawings, paintings, works on paper, ceramics, noise machines<\/h3>\n

 <\/p>\n

20 June \u2013 23 July,
\nand by appointment until 20 August<\/p>\n

 <\/p>\n

 <\/p>\n

Vernissage Saturday 20 June at 16:00 hrs\u00a0<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator css=””]

<\/div>
\n
\n\n\t
\n\t\"Philip<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"Chicken<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"Bert<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"Brocoli<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”30″ css=”.vc_custom_1673367463345{padding-top: 30px !important;}”][vc_column width=”1\/2″ el_class=”right-home-list”][vc_column_text css=””]Sebastiaan Schlicher (1975) lived and worked in Berlin from 2006 to 2013. Last year, he conceived the idea for an exhibition bringing together artists he met during his Berlin years, alongside more recent Berlin connections and Dutch artists who share a similar mentality and thematic approach. The title refers to Rainer Werner Fassbinder\u2019s 1976 film Satansbraten, while also carrying the meaning of \u201crascal\u201d or enfant terrible, a badge of honour for the artist who navigates and survives in the Grossstadt.<\/p>\n

Schlicher himself wrote the following tongue-in-cheek statement for the exhibition:
\n\u201cSatansbraten (after the film by R.W. Fassbinder) refers to the Gesunde(s) Volksempfinden surrounding art and artists, and anticipates the growing awareness that visual art which has nothing constructive to communicate might as well be abolished.\u201d<\/p>\n

Many of the Berlin-based artists bring together a raw edge with a sense of humour. Jan Brokof (1977), represented by Galerie Maurits van de Laar since 2008, gives the subject of cannibalism a contemporary political dimension. In exuberant fluorescent colours, Philip Gr\u00f6zinger (1972) creates paintings and ceramic works that evoke an apparently cheerful yet grotesque world in which social issues subtly emerge. His ceramic hot dog \u2014 both playful and slightly claustrophobic \u2014 stands for an endless appetite for more. Emily Hunt (1981), an Australian artist living and working in Berlin, creates baroque ceramic sculptures connected to themes of esotericism and magic. Among the works presented is a ceramic psychiatrist and patient seated on a dollhouse chair and sofa she found at a Berlin Flohmarkt.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css=””]At the centre of the gallery stands a large cage by Paul Geelen (1983), containing two inflatable snails mating as a living nucleus within the exhibition. Several artists in the exhibition work collaboratively. Corinne von Lebusa (1978) and Moritz Schleime (1978) create joint drawings of elegant young women placed within rough surroundings. Michiel ten Bokum (1973) and Marjolijn de Wit (1979) combine text and image in their paintings, while Jonas Olsson (1987) collaborates on drawings with Oma Fanny Okwuchi, a refugee resident from Amsterdam\u2019s Bijlmer district. Sebastiaan Schlicher presents densely worked drawings alongside three new noise machines. Catherine Lorent (1977), known for drawings of baroque cartouches, will give a performance with electric guitar during the opening.<\/p>\n

Participating in Satansbraten are:
\nMichiel ten Bokum, Lutz Braun, Fritz Bornst\u00fcck, Jan Brokof, Delphine Courtillot, Joost Elschot, Lotti van der Gaag, Paul Geelen, Diederik Gerlach, Andrew Gilbert, Philip Gr\u00f6zinger, Nathan Henderson, Nour-Eddine Jarram, Hans Hoekstra, Emily Hunt, Susanna Inglada, Corinne von Lebusa, Catherine Lorent, Bert Mebius, Jonas Olsson, Oma Fanny Okwuchi, Henny Overbeek, Chloe Piene, Ewoud van Rijn, Marjolein Rothman, Moritz Schleime, Sebastiaan Schlicher, Kristina Schuldt, Witte Wartena. Majolijn de Wit, Pio Sebastian Ziltz[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_empty_space height=”25x”]

\n
\n\n\t
\n\t\"Moritz<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"Corinne<\/a>\t<\/figure>\n<\/article>\n\n\n
\n\n\t
\n\t\"Catherine<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Jantien Jongsma, Axel Linderholm en Derk Thijs delen een focus op het alledaagse in hun schilderijen en werk op papier.<\/p>\n","protected":false},"author":10,"featured_media":31184,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[132,1353,1350],"tags":[1424,1425,1426,1427,1428,1429,153,1430,1431,1432,1433,1434,312,1435,1436,1437,1438,388,1439,1440,1441,1185,111,1442,1443,1444,1445,117,580,1446],"class_list":["post-31179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-current-exhibition","category-exhibition-2026","category-expositie-2026","tag-andrew-gilbert","tag-bert-mebius-jonas-ohlsson","tag-catherine-lorent","tag-chloe-piene","tag-corinne-von-lebusa","tag-delphine-courtillot","tag-diederik-gerlach-en","tag-emily-hunt","tag-ewoud-van-rijn","tag-fritz-bornstuck","tag-hans-hoekstra","tag-henny-overbeek","tag-jan-brokof","tag-joost-elschot","tag-kristina-schuldt","tag-lotti-van-der-gaag","tag-lutz-braun","tag-marjolijn-de-wit-en","tag-marjolijn-rothman","tag-michiel-ten-bokum","tag-moritz-schleime","tag-nathan-henderson","tag-nour-eddine-jarram-en","tag-oma-fanny-okwuchi","tag-paul-geelen","tag-philip-grozinger","tag-pio-sebastian-ziltz","tag-sebastiaan-schlicher-en","tag-susanna-inglada-en","tag-witte-wartena","category-132","category-1353","category-1350","description-off"],"yoast_head":"\nSATANSBRATEN - mauritsvandelaar<\/title>\n<meta name=\"description\" content=\"In the summer group exhibition Satansbraten, artists from Berlin and the Netherlands come together in a show filled with raw energy, humour and social critique. 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