{"id":5701,"date":"2012-02-19T16:46:10","date_gmt":"2012-02-19T15:46:10","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/en\/reiz-des-bosen\/"},"modified":"2018-07-03T17:51:58","modified_gmt":"2018-07-03T15:51:58","slug":"reiz-des-bosen","status":"publish","type":"post","link":"https:\/\/mauritsvandelaar.nl\/en\/reiz-des-bosen\/","title":{"rendered":"Reiz des Bosen"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h1>The Lure of Evil<\/h1>\n<h3>Natasja van Kampen, Ed Pien, Justin Wijers &#8211; drawings<br \/>\nAnne Wenzel &#8211; sculptures<\/h3>\n<h5>19 February &#8211; 25 March 2012<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;]<div class=\"dt-photos-shortcode slider-wrapper owl-carousel dt-owl-carousel-init  shortcode-instagram dt-gallery-container arrows-light enable-mobile-arrows\" data-padding-side=\"20\" data-autoslide=\"false\" data-delay=\"0\" data-loop=\"false\" data-arrows=\"true\" data-pretty-share=\"pinterest\">\n<article class=\"post post-12672 attachment type-attachment status-inherit hentry no-img description-off\">\n\n\t<figure class=\"rollover-project links-hovers-disabled\">\n\t<a href=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/2008_Potsdam_170x150cm.jpg\" class=\"rollover rollover-zoom dt-pswp-item layzr-bg\" title=\"Natasja van Kampen. Potsdam, 2008, oilbar on paper, 170 x 150 cm\" data-dt-img-description=\"Natasja van Kampen. &lt;em&gt;Potsdam&lt;\/em&gt;, 2008, oilbar on paper, 170 x 150 cm\"  data-large_image_width=\"992\" data-large_image_height = \"1000\"  data-dt-location=\"https:\/\/mauritsvandelaar.nl\/en\/dt_gallery\/archief-2012-reiz-des-bosen\/natasja-van-kampen-potsdam-2008-oilbar-on-paper-170-x-150-cm-2\/\" ><img fetchpriority=\"high\" decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20248%20250&#39;%2F%3E\" data-src=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/2008_Potsdam_170x150cm-248x250.jpg\" data-srcset=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/2008_Potsdam_170x150cm-248x250.jpg 248w, https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/2008_Potsdam_170x150cm-496x500.jpg 496w\" loading=\"eager\" style=\"--ratio: 248 \/ 250\" sizes=\"(max-width: 248px) 100vw, 248px\" alt=\"\" width=\"248\" height=\"250\"  \/><\/a>\t<\/figure>\n<\/article>\n\n\n<article class=\"post post-12674 attachment type-attachment status-inherit hentry no-img description-off\">\n\n\t<figure class=\"rollover-project links-hovers-disabled\">\n\t<a href=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Berlijn1936_2008_150x100cm.jpg\" class=\"rollover rollover-zoom dt-pswp-item layzr-bg\" title=\"Natasja van Kampen. Berlin 1936, 2009, (colour-) pencil on paper, 150 x 100 cm\" data-dt-img-description=\"Natasja van Kampen. &lt;em&gt;Berlin 1936&lt;\/em&gt;, 2009, (colour-) pencil on paper, 150 x 100 cm\"  data-large_image_width=\"870\" data-large_image_height = \"1225\"  data-dt-location=\"https:\/\/mauritsvandelaar.nl\/en\/dt_gallery\/archief-2012-reiz-des-bosen\/natasja-van-kampen-berlin-1936-2009-colour-pencil-on-paper-150-x-100-cm-2\/\" ><img decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20177%20250&#39;%2F%3E\" data-src=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Berlijn1936_2008_150x100cm-177x250.jpg\" data-srcset=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Berlijn1936_2008_150x100cm-177x250.jpg 177w, https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Berlijn1936_2008_150x100cm-354x500.jpg 354w\" loading=\"eager\" style=\"--ratio: 177 \/ 250\" sizes=\"(max-width: 177px) 100vw, 177px\" alt=\"\" width=\"177\" height=\"250\"  \/><\/a>\t<\/figure>\n<\/article>\n\n\n<article class=\"post post-12682 attachment type-attachment status-inherit hentry no-img description-off\">\n\n\t<figure class=\"rollover-project links-hovers-disabled\">\n\t<a href=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Kampen_Yalta_2008_150x175cm.jpg\" class=\"rollover rollover-zoom dt-pswp-item layzr-bg\" title=\"Natasja van Kampen. Yalta, 2008, oilbar on paper, 150 x 175 cm\" data-dt-img-description=\"Natasja van Kampen. &lt;em&gt;Yalta&lt;\/em&gt;, 2008, oilbar on paper, 150 x 175 cm\"  data-large_image_width=\"1139\" data-large_image_height = \"867\"  data-dt-location=\"https:\/\/mauritsvandelaar.nl\/en\/dt_gallery\/archief-2012-reiz-des-bosen\/natasja-van-kampen-yalta-2008-oilbar-on-paper-150-x-175-cm-2\/\" ><img decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20328%20250&#39;%2F%3E\" data-src=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Kampen_Yalta_2008_150x175cm-328x250.jpg\" data-srcset=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Kampen_Yalta_2008_150x175cm-328x250.jpg 328w, https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Kampen_Yalta_2008_150x175cm-656x500.jpg 656w\" loading=\"eager\" style=\"--ratio: 328 \/ 250\" sizes=\"(max-width: 328px) 100vw, 328px\" alt=\"\" width=\"328\" height=\"250\"  \/><\/a>\t<\/figure>\n<\/article>\n\n\n<article class=\"post post-12678 attachment type-attachment status-inherit hentry no-img description-off\">\n\n\t<figure class=\"rollover-project links-hovers-disabled\">\n\t<a href=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Ed-Pien-Purgatory-2011-ink-and-gouache-on-paper-84-x-108-cm.jpg\" class=\"rollover rollover-zoom dt-pswp-item layzr-bg\" title=\"Ed Pien. Purgatory, 2011, ink and gouache on paper, 84 x 108 cm\" data-dt-img-description=\"Ed Pien. &lt;em&gt;Purgatory&lt;\/em&gt;, 2011, ink and gouache on paper, 84 x 108 cm\"  data-large_image_width=\"1309\" data-large_image_height = \"1000\"  data-dt-location=\"https:\/\/mauritsvandelaar.nl\/en\/dt_gallery\/archief-2012-reiz-des-bosen\/ed-pien-purgatory-2011-ink-and-gouache-on-paper-84-x-108-cm-2\/\" ><img decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20327%20250&#39;%2F%3E\" data-src=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Ed-Pien-Purgatory-2011-ink-and-gouache-on-paper-84-x-108-cm-327x250.jpg\" data-srcset=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Ed-Pien-Purgatory-2011-ink-and-gouache-on-paper-84-x-108-cm-327x250.jpg 327w, https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Ed-Pien-Purgatory-2011-ink-and-gouache-on-paper-84-x-108-cm-654x500.jpg 654w\" loading=\"eager\" style=\"--ratio: 327 \/ 250\" sizes=\"(max-width: 327px) 100vw, 327px\" alt=\"\" width=\"327\" height=\"250\"  \/><\/a>\t<\/figure>\n<\/article>\n\n\n<article class=\"post post-12684 attachment type-attachment status-inherit hentry no-img description-off\">\n\n\t<figure class=\"rollover-project links-hovers-disabled\">\n\t<a href=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/In-Limbo.jpg\" class=\"rollover rollover-zoom dt-pswp-item layzr-bg\" title=\"Ed Pien. In Limbo, 2011, ink and gouache on paper, 82 x 108 cm\" data-dt-img-description=\"Ed Pien. &lt;em&gt;In Limbo&lt;\/em&gt;, 2011, ink and gouache on paper, 82 x 108 cm                    \"  data-large_image_width=\"1249\" data-large_image_height = \"1000\"  data-dt-location=\"https:\/\/mauritsvandelaar.nl\/en\/dt_gallery\/archief-2012-reiz-des-bosen\/ed-pien-in-limbo-2011-ink-and-gouache-on-paper-82-x-108-cm-2\/\" ><img decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20312%20250&#39;%2F%3E\" data-src=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/In-Limbo-312x250.jpg\" data-srcset=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/In-Limbo-312x250.jpg 312w, https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/In-Limbo-624x500.jpg 624w\" loading=\"eager\" style=\"--ratio: 312 \/ 250\" sizes=\"(max-width: 312px) 100vw, 312px\" alt=\"\" width=\"312\" height=\"250\"  \/><\/a>\t<\/figure>\n<\/article>\n\n\n<article class=\"post post-12676 attachment type-attachment status-inherit hentry no-img description-off\">\n\n\t<figure class=\"rollover-project links-hovers-disabled\">\n\t<a href=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Different_light.jpg\" class=\"rollover rollover-zoom dt-pswp-item layzr-bg\" title=\"Justin Wijers. In a different light, 2012,  mixed media on paper, 150 x 310 cm\" data-dt-img-description=\"Justin Wijers. &lt;em&gt;In a different light&lt;\/em&gt;, 2012,  mixed media on paper, 150 x 310 cm\"  data-large_image_width=\"1320\" data-large_image_height = \"636\"  data-dt-location=\"https:\/\/mauritsvandelaar.nl\/en\/dt_gallery\/archief-2012-reiz-des-bosen\/justin-wijers-in-a-different-light-2012-mixed-media-on-paper-150-x-310-cm-2\/\" ><img decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20518%20250&#39;%2F%3E\" data-src=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Different_light-518x250.jpg\" data-srcset=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Different_light-518x250.jpg 518w, https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/Different_light-1036x500.jpg 1036w\" loading=\"eager\" style=\"--ratio: 518 \/ 250\" sizes=\"(max-width: 518px) 100vw, 518px\" alt=\"\" width=\"518\" height=\"250\"  \/><\/a>\t<\/figure>\n<\/article>\n\n\n<article class=\"post post-12680 attachment type-attachment status-inherit hentry no-img description-off\">\n\n\t<figure class=\"rollover-project links-hovers-disabled\">\n\t<a href=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/heaven-08.jpg\" class=\"rollover rollover-zoom dt-pswp-item layzr-bg\" title=\"Anne Wenzel. Heaven #08, 2007, ceramics, charcoal, 19 x 50 x 60 cm\" data-dt-img-description=\"Anne Wenzel. &lt;em&gt;Heaven #08&lt;\/em&gt;, 2007, ceramics, charcoal, 19 x 50 x 60 cm\"  data-large_image_width=\"1320\" data-large_image_height = \"871\"  data-dt-location=\"https:\/\/mauritsvandelaar.nl\/en\/dt_gallery\/archief-2012-reiz-des-bosen\/anne-wenzel-heaven-08-2007-ceramics-charcoal-19-x-50-x-60-cm-2\/\" ><img decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20378%20250&#39;%2F%3E\" data-src=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/heaven-08-378x250.jpg\" data-srcset=\"https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/heaven-08-378x250.jpg 378w, https:\/\/mauritsvandelaar.nl\/wp-content\/uploads\/heaven-08-756x500.jpg 756w\" loading=\"eager\" style=\"--ratio: 378 \/ 250\" sizes=\"(max-width: 378px) 100vw, 378px\" alt=\"\" width=\"378\" height=\"250\"  \/><\/a>\t<\/figure>\n<\/article>\n\n<\/div>[vc_empty_space height=&#8221;30px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">Evil instills fear, but has always held a great attraction on mankind also. Through the ages, evil has been portrayed in art, either concretely personified by the devil, or in images of hell, but also in more concealed forms.<br \/>\nIn his work Taiwanese\/Canadian artist <strong>Ed Pien\u2019s <\/strong>(1958) continues the tradition of the depiction of hell. His brush drawings are inhabited by monsters, demons and spirits, all drawn in elegant, festering lines. <strong>Justin Wijers <\/strong>(1981) shows the consequences of evil; he draws victims of violent crimes and fills their outlines in with texts and miniatures in exquisite colors. This seduces the spectator to look at the image intensively up to the point that the complete outline of the body emerges and you suddenly are aware of what exactly you are looking at. In this way, Justin Wijers confronts us with a raw reality that we are faced with through the media every day, but usually close ourselves off from.<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<strong>Anne Wenzel <\/strong>(1972) also refers to topical matters such as terrorism and warfare, but in her work people are absent. She makes small ceramic car wrecks, torn apart by explosives, witnesses in miniature of terrorist violence.<br \/>\n<strong>Natasja van Kampen<\/strong> (1970) shows evil in a more covert form. She draws round conference tables with government leaders deciding over the fate of many. Her drawings depict conferences such as those of Yalta and Potsdam, where the division of post-war Europe was decided. Another work shows the empty armchairs in the lounge of the German Press Club in Berlin in 1936, where a large portrait of Hitler used to hang. In this drawing the portrait has been reduced to a neutral rectangular shape on the wall.<\/p>\n<p>Anne Wenzel participates in the exhibiton with the collaboration of Gallery Akinci Amsterdam.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"gap\" style=\"line-height: 30px; height: 30px;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] The Lure of Evil Natasja van Kampen, Ed Pien, Justin Wijers &#8211; drawings Anne Wenzel &#8211; sculptures 19 February &#8211; 25 March 2012 [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_empty_space height=&#8221;30px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text] Evil instills fear, but has always held a great attraction on mankind also. Through the ages, evil has been portrayed in art, either concretely personified by the&hellip;<\/p>\n","protected":false},"author":2,"featured_media":5707,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[144],"tags":[322,115,154,121],"class_list":["post-5701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-2012","tag-anne-wenzel","tag-ed-pien-en","tag-justin-wijers-en","tag-natasja-van-kampen-en","category-144","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reiz des Bosen - mauritsvandelaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/reiz-des-bosen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reiz des Bosen - mauritsvandelaar\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] The Lure of Evil Natasja van Kampen, Ed Pien, Justin Wijers &#8211; drawings Anne Wenzel &#8211; sculptures 19 February &#8211; 25 March 2012 [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_empty_space height=&#8221;30px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text] Evil instills fear, but has always held a great attraction on mankind also. 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