{"id":8675,"date":"2017-06-15T23:11:06","date_gmt":"2017-06-15T21:11:06","guid":{"rendered":"https:\/\/mauritsvandelaar.nl\/?p=8675\/"},"modified":"2018-07-03T17:46:21","modified_gmt":"2018-07-03T15:46:21","slug":"robbie-cornelissen-the-new-room","status":"publish","type":"post","link":"https:\/\/mauritsvandelaar.nl\/en\/robbie-cornelissen-the-new-room\/","title":{"rendered":"Robbie Cornelissen The New Room"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

The New Room
\n<\/em>Robbie Cornelissen
\n<\/em><\/h1>\n

drawings, animations<\/h3>\n

18 June through 16 July 2017<\/h6>\n

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\n\t\"\"<\/a>\t<\/figure>\n<\/article>\n\n<\/div>[vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]In his drawings, Robbie Cornelissen <\/strong>(1954) is continuously pushing the boundaries of the medium. At the Cacaofabriek Helmond, he recently realized the impressive installation Kantelpunt I<\/em> (Tipping Point 1<\/em>) in which his drawings interacted with objects of Karin van Dam. Cornelissen\u2019s drawings not only acted as images featuring imaginary spaces, but also performed a physical role. Two giant line drawings hung vertically in the space, as a five-meter-high waterfall of lines gushing down, making them just as tangible as Karin van Dam\u2019s three-dimensional structures. In a room on the top floor large scale projections of Robbie Cornelissen’s animations were combined with Karin van Dam’s objects that stood out as silhouettes against the animations on the walls.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]In his ongoing animation series The Nr. 9 Sessions<\/em> Robbie Cornelissen uses the stop-motion technique in which every new pencil stroke is photographed. He researches how an abstract, flat composition can evolve into a tangible, three-dimensional, architectural image. Recent animations from the The Nr. 9 Sessions<\/em> series will be shown in the solo exhibition at the gallery together with several large format drawings from the Tipping Point<\/em> installation as well as smaller works.
\nMan is mostly absent in Robbie Cornelissen’s work, making it harder to determine the scale of the rooms and objects. This preserves the magic of the drawing and entices the spectator into \u2018entering\u2019 the space for further exploration.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] The New Room Robbie Cornelissen drawings, animations 18 June through 16 July 2017 [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”20px”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]In his drawings, Robbie Cornelissen (1954) is continuously pushing the boundaries of the medium. At the Cacaofabriek Helmond, he recently realized the impressive installation Kantelpunt I (Tipping Point 1) in which his drawings interacted with objects of Karin van…<\/p>\n","protected":false},"author":2,"featured_media":8668,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[419],"tags":[],"yoast_head":"\nRobbie Cornelissen The New Room - mauritsvandelaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mauritsvandelaar.nl\/en\/robbie-cornelissen-the-new-room\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Robbie Cornelissen The New Room - mauritsvandelaar\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] The New Room Robbie Cornelissen drawings, animations 18 June through 16 July 2017 [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”20px”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]In his drawings, Robbie Cornelissen (1954) is continuously pushing the boundaries of the medium. 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