





\nMan is mostly absent in Robbie Cornelissen’s work, making it harder to determine the scale of the rooms and objects. This preserves the magic of the drawing and entices the spectator into \u2018entering\u2019 the space for further exploration.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text] The New Room Robbie Cornelissen drawings, animations 18 June through 16 July 2017 [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”20px”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]In his drawings, Robbie Cornelissen (1954) is continuously pushing the boundaries of the medium. At the Cacaofabriek Helmond, he recently realized the impressive installation Kantelpunt I (Tipping Point 1) in which his drawings interacted with objects of Karin van…<\/p>\n","protected":false},"author":2,"featured_media":8668,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[419],"tags":[],"class_list":["post-8675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition-2017","category-419","description-off"],"yoast_head":"\n